THE 100
BEST FIILMS
OF THE 1970s

Welcome to our tribute to the 100 Best Films of the 1970s, a decade often hailed as a golden era of cinema. The ’70s were a time of bold storytelling, groundbreaking creativity, and the emergence of auteur directors who reshaped the industry. From gritty realism to visionary sci-fi, this era was marked by innovation and a fearless exploration of new themes.

In this list, we spotlight the 100 highest-rated and most critically acclaimed films of the decade, capturing the essence of an era known for its artistic experimentation and cultural upheaval. Whether you’re a dedicated cinephile or simply curious about this transformative period, these films offer a rich tapestry of stories and styles that continue to resonate today.

Revisit an era when Andrei Tarkovsky explored deep existential themes with poetic visuals, Francis Ford Coppola crafted epic sagas that balanced intimate struggles with grand socio-political tensions, and Robert Altman deconstructed genres with sharp satire and sprawling ensemble casts.

Join us as we celebrate the films that not only defined an era, but also influenced generations of filmmakers and audiences alike. Each film on this list is a testament to the creativity, boldness, and lasting impact of ’70s cinema.

100

The Taking of Pelham
One Two Three

1974 | 1h 44m | USA | ENGLISH

Top10nerScore77.614 / 100

p>

"That's not so terrific."

DIRECTOR: Joseph Sargent

WRITERS: Peter Stone

CINEMATOGRAPHY: Owen Roizman

STARRING: Walter Matthau, Robert Shaw, Martin Balsam, Héctor Elizondo, Earl Hindman

GENRE: Crime, Thriller, New Hollywood

In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it’s paid, how could they get away?

The Taking of Pelham One Two Three effortlessly blends tension with wit, crafting a gripping thrill ride through New York’s subway system. With stellar performances and a tight script, it’s a timeless classic that keeps audiences on the edge of their seats.

99

Out 1

'Out 1, noli me tangere'

1971 | 12h 23m | FRANCE | FRENCH

Top10nerScore77.675 / 100

p>

"The search for meaning is a labyrinth with no center."

DIRECTOR: Jacques Rivette

WRITERS: Suzanne Schiffman, Jacques Rivette

CINEMATOGRAPHY: Pierre-William Glenn

STARRING: Jean-Pierre Léaud, Juliet Berto, Michèle Moretti, Hermine Karagheuz, Karen Puig, Pierre Baillot, Michael Lonsdale, Bulle Ogier, Bernadette Lafont

GENRE: Mystery, Drama, Hyperlink Cinema

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Temporal elements play a crucial role in Jacques Rivette’s Out 1, a remarkable 13-hour (yep, 13 hours…) examination of human connections. It masterfully portrays how the aspirations and ideals of a generation gradually wane in the relentless flow of life.

98

Dirty Harry

1971 | 1h 42m | USA | ENGLISH

Top10nerScore77.709 / 100

p>

"Well, do ya, punk?"

DIRECTOR: Don Siegel

WRITERS: Harry Julian Fink, Rita M. Fink, Dean Riesner

CINEMATOGRAPHY: Bruce Surtees

STARRING: Clint Eastwood, Andrew Robinson, Harry Guardino, Reni Santoni

GENRE: Crime, Thriller, Action, New Hollywood

When a madman dubbed ‘Scorpio’ terrorizes San Francisco, hard-nosed cop, Harry Callahan – famous for his take-no-prisoners approach to law enforcement – is tasked with hunting down the psychopath. Harry eventually collars Scorpio in the process of rescuing a kidnap victim, only to see him walk on technicalities. Now, the maverick detective is determined to nail the maniac himself.

Dirty Harry stands as an enduring classic in the crime-thriller genre. Clint Eastwood’s iconic performance as the unapologetic Inspector Harry Callahan, paired with gritty, suspenseful storytelling, highlights a powerful examination of vigilantism in a crime-ridden city. 

97

A Touch of Zen

'Xia nü'

1970 | 3h 00m | TAIWAN | MANDARIN

Top10nerScore77.754 / 100

p>

"When you're outnumbered, strategy wins over force."

DIRECTOR: King Hu

WRITERS: King Hu, Pu Songling

CINEMATOGRAPHY: Hua Hui-Ying

STARRING: Hsu Feng, Shih Chun, Pai Ying, Roy Chiao

GENRE: Wuxia

Ming dynasty noblewoman Yang must escape from the evil eunuch Hsu. She seeks refuge at a decrepit town where she gets assistance from a naïve scholar and a group of mysterious yet powerful monks.

A Touch of Zen is an exquisite cinematic achievement, blending rich cultural insights with breathtaking martial arts sequences. Its meticulously researched portrayal of ancient China’s complexities resonates, while its action sequences redefine the genre. 

96

The Travelling Players

'O thiasos'

1975 | 3h 42m | GREECE | GREEK

Top10nerScore77.776 / 100

p>

"Freedom! Freedom! No more occupation!"

DIRECTOR: Theo Angelopoulos

WRITERS: Theo Angelopoulos

CINEMATOGRAPHY: Giorgos Arvanitis

STARRING: Eva Kotamanidou, Aliki Georgouli, Stratos Pahis, Vaggelis Kazan, Petros Zarkadis

GENRE: Period Drama, Slow Cinema

This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled “Golfo the Shepherdess,” the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.

A mesmerizing odyssey through Greek history, The Travelling Players is a cinematic triumph, weaving political turmoil with poignant human stories. Angelopoulos’s visionary direction and stunning cinematography elevate this epic into a timeless classic.

95

The Marriage of
Maria Braun

'Die Ehe der Maria Braun'

1979 | 2h 00m | WEST GERMANY | GERMAN

Top10nerScore77.973 / 100

p>

"I'm a master of deceit."

DIRECTOR: Rainer Werner Fassbinder

WRITERS: Pea Fröhlich, Peter Märthesheimer

CINEMATOGRAPHY: Michael Ballhaus

STARRING: Hanna Schygulla, Klaus Löwitsch

GENRE: New German Cinema, Melodrama, Period Drama

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

The Marriage of Maria Braun dazzles with its rich, layered storytelling and a compelling lead performance by Hanna Schygulla. Fassbinder’s directorial prowess shines, weaving a narrative that captures post-war Germany’s complexities with elegance and emotional depth.

94

Phantom of the Paradise

1974 | 1h 32m | USA | ENGLISH

Top10nerScore77.978 / 100

p>

"Anyone else who tries, dies!"

DIRECTOR: Brian De Palma

WRITERS: Brian De Palma

CINEMATOGRAPHY: Larry Pizer

STARRING: Paul Williams, William Finley, Jessica Harper

GENRE: Satire, New Hollywood, Rock Opera, Tragedy

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.

Phantom of the Paradise is a cinematic triumph, blending rock opera, horror, and satire with unparalleled creativity. De Palma’s direction and Paul Williams’ haunting score deliver a captivating and thought-provoking experience that has rightfully earned its cult status.

93

Kramer vs. Kramer

1979 | 1h 45m | USA | ENGLISH

Top10nerScore78.052 / 100

p>

"I'm all you got."

DIRECTOR: Robert Benton

WRITERS: Robert Benton

CINEMATOGRAPHY: Néstor Almendros

STARRING: Dustin Hoffman, Meryl Streep, Jane Alexander, Justin Henry

GENRE: Legal Drama, New Hollywood, Family Drama, Drama

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.

A powerful exploration of family dynamics, Kramer vs. Kramer shines with emotional depth and superb performances. Hoffman’s and Streep’s chemistry captivates, offering a poignant, nuanced look at the complexities of love, parenthood, and personal growth.

92

The Man Who
Would Be King

1975 | 2h 09m | USA | ENGLISH

Top10nerScore78.209 / 100

p>

"Now listen to me you benighted muckers."

DIRECTOR: John Huston

WRITERS: John Huston, Gladys Hill

CINEMATOGRAPHY: Oswald Morris

STARRING: Sean Connery, Michael Caine, Christopher Plummer

GENRE: Adventure, Buddy, Comedy, Period Drama

A robust adventure about two British adventurers who take over primitive Kafiristan as “godlike” rulers, meeting a tragic end through their desire for a native girl. Based on a short story by Rudyard Kipling.

The Man Who Would Be King is a captivating adventure, weaving ambition and folly into a rich tapestry of friendship and betrayal. Connery and Caine deliver masterful performances, while Huston’s direction elevates Kipling’s tale to cinematic greatness.

91

Wake in Fright

'Outback'

1971 | 1h 49m | AUSTRALIA & USA | ENGLISH

Top10nerScore78.253 / 100

p>

"Yer mad, yer bastard!"

DIRECTOR: Ted Kotcheff

WRITERS: Evan Jones

CINEMATOGRAPHY: Brian West

STARRING: Gary Bond, Donald Pleasence, Chips Rafferty, Sylvia Kay

GENRE: Psychological Thriller, Drama, Australian New Wave

Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney, but as one night stretches into several he plunges headlong into his own destruction.

An unsettling masterpiece of Australian cinema, Wake in Fright delves into a landscape simultaneously sun-kissed and unflinchingly bleak. Its striking portrayal offers a gripping exploration of the stark duality within the Australian outback, leaving a lasting impact.

90

House

'Hausu'

1977 | 1h 28m | JAPAN | JAPANESE

Top10nerScore78.313 / 100

p>

"...Bananas! Bananas! Bananas! Bananas!..."

DIRECTOR: Nobuhiko Obayashi

WRITERS: Chiho Katsura

CINEMATOGRAPHY: Yoshitaka Sakamoto

STARRING: Kimiko Ikegami, Kumiko Oba, Ai Matsubara, Miki Jinbo, Yoko Minamida, Eriko Tanaka, Masayo Miyako, Mieko Sato

GENRE: Haunted House, Absurdist Comedy, Surrealism, Horror Comedy

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the country to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

House captivates with its delightfully twisted blend of dark humor and surreal scenes, offering a mesmerizing journey through bizarre and absurdity. It’s a testament to unconventional storytelling that leaves audiences both bewildered and entertained.

89

Blazing Saddles

1974 | 1h 33m | USA | ENGLISH

Top10nerScore78.358 / 100

p>

"Hey, where the white women at?"

DIRECTOR: Mel Brooks

WRITERS: Richard Pryor, Mel Brooks, Andrew Bergman, Norman Steinberg, Alan Uger

CINEMATOGRAPHY: Joseph F. Biroc

STARRING: Cleavon Little, Gene Wilder, Slim Pickens, Harvey Korman, Madeline Kahn

GENRE: Parody, Western, Satire

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lemar sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

Bold, audacious, and uproariously hilarious, Blazing Saddles fearlessly parodies the Western genre, standing as a testament to Mel Brooks’ illustrious career. Its irreverent humor and biting social commentary make it a standout classic in the comedy realm.

88

Carrie

1976 | 1h 38m | USA | ENGLISH

Top10nerScore78.361 / 100

p>

"WHAT THE HELL?"

DIRECTOR: Brian De Palma

WRITERS: Lawrence D. Cohen

CINEMATOGRAPHY: Mario Tosi

STARRING: Sissy Spacek, Piper Laurie, John Travolta, Amy Irving, Nancy Allen

GENRE: Drama, Supernatural Horror, New Hollywood

Carrie White, a shy and troubled teenage girl who is tormented by her high school peers and her fanatically religious mother, begins to use her powers of telekinesis to exact revenge upon them.

Carrie captivates with its haunting portrayal of adolescence and telekinetic powers. De Palma’s direction delicately balances horror and empathy, while Sissy Spacek’s performance is a revelation. A chilling yet poignant exploration of ostracism and vengeance.

87

The Enigma of
Kaspar Hauser

'Jeder für sich und Gott gegen alle'

1974 | 1h 49m | WEST GERMANY | GERMAN

Top10nerScore78.435 / 100

p>

"Mother, I am so far away from everything."

DIRECTOR: Werner Herzog

WRITERS: Werner Herzog

CINEMATOGRAPHY: Jörg Schmidt-Reitwein

STARRING: Bruno Schleinstein, Walter Ladengast

GENRE: Biopic, New German Cinema, Period Drama, Psychological Drama

The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

With Herzog’s deft touch, The Enigma of Kaspar Hauser illuminates the human condition with haunting beauty. Hauser’s journey, portrayed with depth by Bruno S., captivates, offering profound reflections on society and self-discovery. An exquisite blend of mystery and introspection.

86

Five Easy Pieces

1970 | 1h 38m | USA | ENGLISH

Top10nerScore78.438 / 100

p>

"You see this sign?"

DIRECTOR: Bob Rafelson

WRITERS: Bob Rafelson, Carole Eastman

CINEMATOGRAPHY: László Kovács

STARRING: Jack Nicholson, Karen Black, Susan Anspach

GENRE: Drama, New Hollywood

A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn’t spent in a squalid succession of bars, motels, and other points of interest.

Five Easy Pieces stands as a cinematic revelation, seamlessly blending raw emotion with profound social commentary. Nicholson’s tour de force performance, coupled with Rafelson’s deft direction, crafts a poignant exploration of identity and disillusionment, leaving an enduring impact.

85

Willy Wonka & the Chocolate Factory

1971 | 1h 40m | USA | ENGLISH

Top10nerScore78.674 / 100

p>

"Oompa Loompa doo-pa-dee doo"

DIRECTOR: Mel Stuart

WRITERS: Roald Dahl

CINEMATOGRAPHY: Arthur Ibbetson

STARRING: Gene Wilder, Peter Ostrum, Jack Albertson

GENRE: Musical, Family, Comedy, Low Fantasy, Fantasy

Eccentric candy man Willy Wonka prompts a worldwide frenzy when he announces that golden tickets hidden inside five of his delicious candy bars will admit their lucky holders into his top-secret confectionary. But does Wonka have an agenda hidden amid a world of Oompa Loompas and chocolate rivers?

Willy Wonka & the Chocolate Factory combines Gene Wilder’s enigmatic performance and Roald Dahl’s vision with vibrant visuals and memorable songs. It has remained a beloved classic, captivating generations with its enchanting world of pure imagination.

84

Don't Look Now

1973 | 1h 50m | UK & ITALY | ENGLISH

Top10nerScore78.788 / 100

p>

"Nothing is what it seems."

DIRECTOR: Nicolas Roeg

WRITERS: Daphne du Maurier, Chris Bryant, Allan Scott

CINEMATOGRAPHY: Anthony B. Richmond

STARRING: Julie Christie, Donald Sutherland, Hilary Mason

GENRE: Mystery, Psychological Thriller, Psychological Horror

Laura and John, grieved by a terrible loss, meet in Venice, where John is in charge of the restoration of a church, two mysterious sisters, one of whom gives them a message sent from the afterlife.

Don’t Look Now employs a deft touch, weaving a tapestry of suspense with its evocative imagery and chilling score. The film invites viewers to deeply empathize with Donald Sutherland and Julie Christie’s characters, as they grapple with a profound and haunting sense of grief.

83

The Tenant

'Le locataire'

1976 | 2h 06m | FRANCE | ENGLISH/FRENCH

Top10nerScore78.834 / 100

p>

"Filthy little brat!"

DIRECTOR: Roman Polanski

WRITERS: Gérard Brach, Roman Polanski

CINEMATOGRAPHY: Sven Nykvist

STARRING: Roman Polański, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson, Lila Kedrova, Claude Dauphin, Shelley Winters

GENRE: Psychological Thriller, Mystery

A quiet and inconspicuous man rents an apartment in France where the previous tenant committed suicide, and begins to suspect his landlord and neighbors are trying to subtly change him into the last tenant so that he too will kill himself.

The Tenant is a testament to Polanski’s prowess in creating unnerving cinematic experiences. With a meticulous blend of suspense and psychological insight, the film weaves a haunting narrative, immersing viewers in a world of creeping unease and identity crisis.

82

Celine and Julie
Go Boating

'Céline et Julie vont en bateau'

1974 | 3h 13m | FRANCE | FRENCH

Top10nerScore78.993 / 100

p>

"It doesn't hurt to fall off the moon."

DIRECTOR: Jacques Rivette

WRITERS: Marie-France Pisier, Juliet Berto, Dominique Labourier, Bulle Ogier, Jacques Rivette, Eduardo de Gregorio

CINEMATOGRAPHY: Jacques Renard

STARRING: Juliet Berto, Dominique Labourier, Bulle Ogier, Marie-France Pisier

GENRE: Surrealism, Low Fantasy, Mystery, Magical Realism, Comedy

A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.

Celine and Julie Go Boating is a whimsical and intellectually stimulating cinematic journey. Riveting performances by Berto and Labourier showcase their unique bond, while the intricate narrative structure challenges viewers to dive into its labyrinth of mystery and imagination.

81

Deliverance

1972 | 1h 49m | USA | ENGLISH

Top10nerScore79.003 / 100

p>

"You don't know nothin'."

DIRECTOR: John Boorman

WRITERS: James Dickey

CINEMATOGRAPHY: Vilmos Zsigmond

STARRING: Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox

GENRE: Thriller, Adventure, New Hollywood, Survival, Southern Gothic

Intent on seeing the Cahulawassee River before it’s turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they’ll never forget into the dangerous American back-country.

Deliverance navigates wild waters of human nature with gripping intensity. Its visceral exploration of survival, friendship, and primal instincts leaves an enduring mark on cinema. A daring journey into the heart of darkness, it resonates with raw power.

80

Deep Red

'Profondo rosso'

1975 | 2h 07m | ITALY | ITALIANS

Top10nerScore79.005 / 100

p>

"There's someone in the house…"

DIRECTOR: Dario Argento

WRITERS: Dario Argento, Bernardino Zapponi

CINEMATOGRAPHY: Luigi Kuveiller

STARRING: David Hemmings, Daria Nicolodi

GENRE: Giallo, Psychological Horror

A musician witnesses the murder of a famous psychic, and then teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.

Dario Argento’s signature kinetic camerawork and relentless gore are brilliantly showcased in Deep Red, complemented by a rich, intricate narrative. This fusion of visceral style and storytelling mastery elevates the film to a remarkable achievement in the horror genre.

79

Picnic at
Hanging Rock

1975 | 1h 57m | AUSTRALIA | ENGLISH

Top10nerScore79.021 / 100

p>

"Waiting a million years, just for us."

DIRECTOR: Peter Weir

WRITERS: Cliff Green

CINEMATOGRAPHY: Russell Boyd

STARRING: Rachel Roberts, Helen Morse, Vivean Gray, Anne-Louise Lambert, Dominic Guard, Margaret Nelson, Jacki Weaver

GENRE: Mystery, Drama, Australian New Wave

In the early 1900s, Miranda attends a girls boarding school in Australia. One Valentine’s Day, the school’s typically strict headmistress treats the girls to a picnic field trip to an unusual but scenic volcanic formation called Hanging Rock. Despite rules against it, Miranda and several other girls venture off. It’s not until the end of the day that the faculty realizes the girls and one of the teachers have disappeared mysteriously.

Boasting an entrancing visual aesthetic, Picnic at Hanging Rock envelops its audience in an enigmatic and mood-laden world. Peter Weir’s early foray into Australian cinema unfolds with a hauntingly beautiful allure, leaving a sense of lingering intrigue and fascination.

78

Mean Streets

1973 | 1h 51m | USA | ENGLISH

Top10nerScore79.113 / 100

p>

"If I had balls, I'd be King."

DIRECTOR: Martin Scorsese

WRITERS: Martin Scorsese, Mardik Martin

CINEMATOGRAPHY: Kent L. Wakeford

STARRING: Harvey Keitel, Robert De Niro, David Proval, Amy Robinson, Richard Romanus, Cesare Danova

GENRE: Gangster Film, Drama, New Hollywood, Slice of Life

A small-time hood must choose from among love, friendship and the chance to rise within the mob.

Scorsese’s Mean Streets is a gritty and authentic portrayal of New York’s underworld. It masterfully captures the raw energy of the streets, with superb performances and a pulsating soundtrack, making it an essential entry in the director’s impressive body of work.

77

Sorcerer

1977 | 2h 02m | USA | ENGLISH

Top10nerScore79.166 / 100

p>

"It's the kind of place nobody wants to go looking."

DIRECTOR: William Friedkin

WRITERS: Walon Green

CINEMATOGRAPHY: Dick Bush, John M. Stephens

STARRING: Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri

GENRE: Adventure, Thriller, New Hollywood

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting gallons of unstable nitroglycerin across dangerous jungle.

William Friedkin’s thriller Sorcerer stands as a testament to intense storytelling, exemplifying a gripping narrative coupled with visceral cinematography. This lesser-known classic deserves recognition for its raw tension, compelling characters, and remarkable practical effects.

76

Walkabout

1971 | 1h 35m | AUSTRALIA & UK | ENGLISH

Top10nerScore79.189 / 100

p>

"I expect we're the first white people he's seen."

DIRECTOR: Nicolas Roeg

WRITERS: Nicolas Roeg, Edward Bond

CINEMATOGRAPHY: Nicolas Roeg

STARRING: Jenny Agutter, Luc Roeg, David Gulpilil

GENRE: Adventure, Drama, Coming-of-Age, Australian New Wave, Survival

Two city-bred siblings are stranded in the Australian Outback, where they learn to survive with the aid of an Aboriginal boy on his “walkabout”: a ritual separation from his tribe.

Walkabout is a captivating exploration of the human condition amidst the Australian wilderness. With stunning cinematography and thought-provoking storytelling, it offers a profound reflection on cultural clash, survival, and the poignant depiction of Aboriginal culture.

SHARE THIS LIST