200

Hiroshima Mon Amour

1959 | 1h 32m | FRANCE & JAP | FRENCH

Top10nerScore86.593 / 100

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"Forgetting so much love is terrifying."

DIRECTOR: Alain Resnais

WRITERS: Marguerite Duras

CINEMATOGRAPHY: Sacha Vierny, Michio Takahashi

STARRING: Emmanuelle Riva, Eiji Okada

GENRE: Romance, Left Bank, Psychological Drama

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple – lovers turned friends – recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Hiroshima Mon Amour is a poignant exploration of memory and love amidst the haunting backdrop of post-war Hiroshima. Resnais intricately weaves past and present, while Duras’ evocative screenplay and Vierny’s cinematography contribute to an unforgettable cinematic experience.

199

Apur Sansar

'The World of Apu'

1959 | 1h 45m | INDIA | BENGALI

Top10nerScore86.607 / 100

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"He wants to live!"

DIRECTOR: Satyajit Ray

WRITERS: Satyajit Ray

CINEMATOGRAPHY: Subrata Mitra

STARRING: Soumitra Chatterjee, Sharmila Tagore, Alok Chakravarty, Swapan Mukherjee

GENRE: Parallel Cinema, Drama

Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding…

A masterful conclusion to Ray’s ‘Apu Trilogy’, Apur Sansar elegantly explores the complexities of life, love, and self-discovery. Ray’s sensitive direction and Chatterjee’s compelling performance contribute to this cinematic achievement, marking a poignant milestone in Indian cinema.

198

Where Is the
Friend's House?

'Khane-ye doust kodjast?'

1987 | 1h 23m | IRAN | PERSIAN

Top10nerScore86.623 / 100

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"So he wouldn't forget."

DIRECTOR: Abbas Kiarostami

WRITERS: Abbas Kiarostami

CINEMATOGRAPHY: Farhad Saba

STARRING: Babek Ahmed Poor, Ahmed Ahmed Poor, Kheda Barech Defai

GENRE: Drama, New Iranian Cinema

8-year-old Ahmed has mistakenly taken his friend Mohammad’s notebook. He wants to return it, or else his friend will be expelled from school. Determinedly, the conscientious boy sets out to find Mohammad’s home in the neighbouring village.

Where Is the Friend’s House? captivates with its understated brilliance, seamlessly blending realism and poetic storytelling. As part of the ‘Koker Trilogy’, it showcases Kiarostami’s profound exploration of innocence, morality, and the transformative power of compassion in Iranian rural life.

197

Ali:
Fear Eats the Soul

'Angst essen Seele auf'

1974 | 1h 33m | WEST-GERMANY | GERMAN

Top10nerScore86.644 / 100

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"Cock broken."

DIRECTOR: Rainer Werner Fassbinder

WRITERS: Rainer Werner Fassbinder

CINEMATOGRAPHY: Jürgen Jürges

STARRING: Brigitte Mira, El Hedi ben Salem, Barbara Valentin, Irm Hermann, Rainer Werner Fassbinder, Karl Scheydt

GENRE: Romance, New German Cinema, Melodrama

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi’s family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Ali: Fear Eats the Soul is a poignant exploration of societal prejudices through an unlikely love story. With exquisite visuals, profound character development, and a nuanced examination of post-war Germany, it stands as a compelling and socially relevant cinematic achievement.

196

Breathless

'À bout de souffle'

1960 | 1h 30m | FRANCE | FRENCH

Top10nerScore86.661 / 100

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"To become immortal... and then die."

DIRECTOR: Jean-Luc Godard

WRITERS: Jean-Luc Godard

CINEMATOGRAPHY: Raoul Coutard

STARRING: Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger, Henri-Jacques Huet, Roger Hanin

GENRE: French New Wave, Crime, Romance, Drama

Petty thug Michel panics and impulsively kills a policeman while driving a stolen car. On the lam, he turns to his aspiring journalist girlfriend Patricia, hiding out in her Paris apartment. When Patricia learns that Michel is being investigated for murder, she begins to question her loyalties.

Breathless is a groundbreaking film that revolutionized cinema with its innovative style and energetic pace. Godard’s direction, combined with Belmondo’s charismatic performance, crafts a rebellious and stylish narrative that captures the spirit of the French New Wave.

195

Before Sunset

2004 | 1h 20m | USA | ENGLISH

Top10nerScore86.724 / 100

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"Baby, you are gonna miss that plane."

DIRECTOR: Richard Linklater

WRITERS: Richard Linklater, Kim Krizan, Ethan Hawke, Julie Delpy

CINEMATOGRAPHY: Lee Daniel

STARRING: Ethan Hawke, Julie Delpy

GENRE: Romance, Drama, Slice of Life

Nine years ago two strangers met by chance and spent a night in Vienna that ended before sunrise. They are about to meet for the first time since. Now they have one afternoon to find out if they belong together.

Before Sunset is a cinematic triumph that seamlessly combines Hawke and Delpy’s mesmerizing performances with Linklater’s nuanced direction. The film’s real-time narrative and thoughtful dialogue elevate it to a poignant exploration of love, regret, and the passage of time.

194

Brazil

1985 | 2h 23m | UK | ENGLISH

Top10nerScore86.804 / 100

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"Care for a little necrophilia? Hmmm?"

DIRECTOR: Terry Gilliam

WRITERS: Terry Gilliam, Tom Stoppard, Charles McKeown

CINEMATOGRAPHY: Roger Pratt

STARRING: Jonathan Pryce, Robert De Niro, Katherine Helmond, Kim Greist, Michael Palin, Ian Holm

GENRE: Dystopian, Satire, Black Comedy, Science Fiction

Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.

Brazil is a dystopian marvel that artfully blends satire and surrealism. With meticulous set design and a prescient narrative, the film captivates audiences with its darkly comedic take on bureaucracy, offering a timeless commentary on the pitfalls of unchecked government control.

193

The Truman Show

1998 | 1h 43m | USA | ENGLISH

Top10nerScore86.841 / 100

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"Somebody help me, I'm being spontaneous!"

DIRECTOR: Peter Weir

WRITERS: Andrew Niccol

CINEMATOGRAPHY: Peter Biziou

STARRING: Jim Carrey, Ed Harris, Laura Linney, Noah Emmerich, Natascha McElhone

GENRE: Satire, Drama, Psychological Drama, Comedy, Postmodernism

Truman Burbank is the star of The Truman Show, a 24-hour-a-day reality TV show that broadcasts every aspect of his life without his knowledge. His entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows, including his wife and his best friend is really an actor, paid to be part of his life.

The Truman Show is a visionary gem that transcends its time, blending poignant satire with heartfelt emotion. Carrey’s tour de force performance and Weir’s direction create a mesmerizing journey into the nature of reality. A cinematic revelation that lingers in the mind.

192

Cléo from 5 to 7

'Cléo de 5 à 7'

1962 | 1h 30m | FRANCE & ITA | FRENCH

Top10nerScore86.846 / 100

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"Everybody spoils me. Nobody loves me."

DIRECTOR: Agnès Varda

WRITERS: Agnès Varda

CINEMATOGRAPHY: Jean Rabier, Alain Levent, Paul Bonis

STARRING: Corinne Marchand, Antoine Bourseiller, Dominique Davray, Dorothée Blanck, Michel Legrand

GENRE: Left Bank, Drama

While she waits for the results of a medical test, French singer Cléo Victoire spends a couple of hours wandering through the streets of Paris. Along the way, she meets up with her lover, goes shopping, visits her model friend Dorothee, and has a brief affair with a passing soldier.

Cléo from 5 to 7 is a cinematic triumph that seamlessly blends existential exploration with innovative storytelling. The film’s real-time narrative, exquisite cinematography, and Marchand’s compelling performance converge to offer an introspective and emotionally resonant experience.

191

Notorious

1946 | 1h 43m | USA | ENGLISH

Top10nerScore86.860 / 100

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"Maybe the fact that you don't love me."

DIRECTOR: Alfred Hitchcock

WRITERS: Ben Hecht, John Taintor Foote

CINEMATOGRAPHY: Ted Tetzlaff

STARRING: Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, Leopoldine Konstantin, Reinhold Schünzel

GENRE: Spy, Romance, Thriller

The daughter of a German war criminal is engaged by an American agent to get close to one of her father’s Nazi associates. Her safety is compromised when suspicions arise, with potentially deadly consequences. As the two begin to fall for one another, the stakes become much higher.

Notorious stands as a cinematic triumph, seamlessly blending suspense and romance. Grant and Bergman deliver unforgettable performances, while Hitchcock’s expertise and innovation showcase his unparalleled mastery of the craft, setting a benchmark for the espionage thriller genre.

190

Nosferatu

'Nosferatu, eine Symphonie des Grauens'

1922 | 1h 34m | GERMANY | GERMAN

Top10nerScore86.885 / 100

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"Your wife has such a beautiful neck…"

DIRECTOR: F. W. Murnau

WRITERS: Henrik Galeen

CINEMATOGRAPHY: Fritz Arno Wagner, Günther Krampf

STARRING: Max Schreck, Gustav von Wangenheim, Greta Schröder, Alexander Granach

GENRE: Vampire, Gothic Horror, German Expressionism

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. But Orlok is also the vampire Nosferatu, and when Hutter struggles to escape the castle, he knows that Ellen is in grave danger.

Nosferatu is a haunting and atmospheric landmark in horror cinema. Murnau’s expressionist direction and Schreck’s eerie portrayal of Count Orlok create a chilling and unforgettable narrative, blending shadowy visuals and suspense to evoke a timeless sense of dread and terror.

189

Akira

1988 | 2h 04m | JAPAN | JAPANESE

Top10nerScore86.895 / 100

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'NEO-TOKYO IS ABOUT TO E.X.P.L.O.D.E.'

DIRECTOR: Katsuhiro Otomo

WRITERS: Katsuhiro Otomo, Izo Hashimoto

CINEMATOGRAPHY: Katsuji Misawa

STARRING: Mitsuo Iwata, Nozomu Sasaki, Mami Koyama, Taro Ishida

GENRE: Cyberpunk, Dystopian, Anime, Action

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

Akira seamlessly melds cyberpunk aesthetics with a thought-provoking narrative, showcasing Otomo’s visionary adaptation of his own manga. Its inventive animation, intricate world-building, and societal commentary make it a landmark in anime, influencing the genre for decades.

188

The Cranes Are Flying

'Letyat zhuravli'

1957 | 1h 37m | USSR | RUSSIAN

Top10nerScore86.900 / 100

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"That's what love is, my dear: a harmless mental illness."

DIRECTOR: Mikhail Kalatozov

WRITERS: Viktor Rozov

CINEMATOGRAPHY: Sergei Urusevsky

STARRING: Tatiana Samoilova, Aleksey Batalov, Alexander Shvorin, Vasily Merkuryev

GENRE: Melodrama, War, Romance, Period Drama, Soviet New Wave

Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris’ family, into the company of a cousin with his own intentions.

The Cranes Are Flying is a visually stunning and emotionally powerful film, directed with sensitivity by Kalatozov. Its evocative cinematography and compelling performances capture the human toll of war, exploring themes of love, loss, and resilience with depth and poignancy.

187

Before Sunrise

1995 | 1h 41m | USA & AUT | ENGLISH

Top10nerScore87.153 / 100

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"I like to feel his eyes on me when I look away."

DIRECTOR: Richard Linklater

WRITERS: Richard Linklater, Kim Krizan

CINEMATOGRAPHY: Lee Daniel

STARRING: Ethan Hawke, Julie Delpy

GENRE: Romance, Slice of Life

A young man and woman meet on a train in Europe, and wind up spending one evening together in Vienna. Unfortunately, both know that this will probably be their only night together.

Before Sunrise gracefully weaves dialogue into an intimate tapestry of fleeting romance, exploring the transient beauty of human connection. Linklater’s direction, coupled with Hawke and Delpy’s chemistry, crafts a cinematic poetry that resonates long after the credits roll.

186

Jeanne Dielman

23, quai du Commerce, 1080 Bruxelles

'Jeanne Dielman, 23 Commerce Quay, 1080 Brussels'

1975 | 3h 22m | BELGIUM | FRENCH

Top10nerScore87.183 / 100

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"How could you know? You're not a woman. "

DIRECTOR: Chantal Akerman

WRITERS: Chantal Akerman

CINEMATOGRAPHY: Babette Mangolte

STARRING: Delphine Seyrig

GENRE: Slow Cinema, Drama, Slice of Life

A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles has captivated cinephiles with its precise long takes and deliberate pacing, offering a thought-provoking exploration of domesticity that challenges traditional cinematic norms, marking it as an avant-garde triumph.

185

The Wizard of Oz

1939 | 1h 42m | USA | ENGLISH

Top10nerScore87.186 / 100

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"There's no place like home."

DIRECTOR: Victor Fleming

WRITERS: Edgar Allan Woolf, Noel Langley, Florence Ryerson

CINEMATOGRAPHY: Harold Rosson

STARRING: Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Margaret Hamilton, Frank Morgan, Billie Burke

GENRE: Musical, Adventure, Family, Fantasy, Portal Fantasy

Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.

The Wizard of Oz endures as a timeless classic due to its innovative use of Technicolor, groundbreaking special effects, and Judy Garland’s iconic performance. The film’s thematic richness and enduring cultural impact make it a landmark achievement in cinema history.

184

Army of Shadows

'L'armée des ombres'

1969 | 2h 25m | FRANCE & ITA | FRENCH

Top10nerScore87.200 / 100

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"She said five minutes, but she'll wait a lifetime."

DIRECTOR: Jean-Pierre Melville

WRITERS: Jean-Pierre Melville

CINEMATOGRAPHY: Pierre Lhomme, Walter Wottitz

STARRING: Lino Ventura, Simone Signoret, Paul Meurisse, Jean-Pierre Cassel, Paul Crauchet

GENRE: War, Period Drama, Drama, Thriller

Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.

Army of Shadows is a tour de force in French cinema, a poignant exploration of the complexities of resistance during WWII. Melville’s deft touch, coupled with Léaud’s distinct performance, captures the haunting struggles of individuals navigating the shadows of wartime adversity.

183

Spider-Man

Across the Spider-Verse

2023 | 2h 20m | USA & CAN | ENGLISH

Top10nerScore87.212 / 100

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"Nah. I'm-a do my own thing."

DIRECTORS: Joaquim Dos Santos, Justin K. Thompson, Kemp Powers

WRITERS: Dave Callaham, Phil Lord, Christopher Miller

STARRING: Shameik Moore, Hailee Steinfeld, Jason Schwartzman, Oscar Isaac, Jake Johnson, Brian Tyree, Henry Lauren Vélez

GENRE: Portal Fantasy, Computer Animation, Superhero, Action, Comedy, Family

After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

Across the Spider-Verse seamlessly weaves groundbreaking animation, intricate storytelling, and a diverse, compelling cast. Expanding on its predecessor’s triumph, the film explores the multiverse, offering a visually stunning and emotionally resonant cinematic experience for all.

182

Network

1976 | 2h 02m | USA | ENGLISH

Top10nerScore87.241 / 100

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"I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!"

DIRECTOR: Sidney Lumet

WRITERS: Paddy Chayefsky

CINEMATOGRAPHY: Owen Roizman

STARRING: Peter Finch, Faye Dunaway, William Holden, Robert Duvall, Wesley Addy, Beatrice Straight

GENRE: Satire, Drama, New Hollywood, Black Comedy

When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.

Network is an electrifying social commentary that remains eerily prescient. Chayefsky’s incisive screenplay, Lumet’s dynamic direction, and a stellar ensemble, notably Finch and Dunaway, converge to create a riveting exploration of media manipulation and societal disillusionment.

181

It Happened
One Night

1934 | 1h 45m | USA | ENGLISH

Top10nerScore87.261 / 100

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"But don't hold that against me, I'm a little screwy myself!"

DIRECTOR: Frank Capra

WRITERS: Robert Riskin

CINEMATOGRAPHY: Joseph Walker

STARRING: Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns

GENRE: Romantic Comedy, Screwball Comedy, Road Movie

A renegade reporter and a crazy young heiress meet on a bus heading for New York, and end up stuck with each other when the bus leaves them behind at one of the stops.

It Happened One Night stands as a timeless classic, seamlessly blending Capra’s direction with Colbert and Gable’s impeccable performances. Its innovative narrative and witty script revolutionized romantic comedies, earning the film five Oscars and a lasting legacy in cinematic history.

180

Scenes from a Marriage

'Scener ur ett äktenskap'

1974 | 2h 49m | SWEDEN | SWEDISH

Top10nerScore87.293 / 100

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"Affection shouldn't be kept just for vacations."

DIRECTOR: Ingmar Bergman

WRITERS: Ingmar Bergman

CINEMATOGRAPHY: Sven Nykvist

STARRING: Liv Ullmann, Erland Josephson, Bibi Andersson

GENRE: Romance, Family Drama, Drama, Chamber Film

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he’s having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

Scenes from a Marriage captivates with its raw intimacy and profound exploration of human relationships. Through remarkable performances and evocative direction, Bergman crafts an emotionally resonant masterpiece that continues to resonate with audiences decades later.

179

Brief Encounter

1945 | 1h 26m | UK | ENGLISH

Top10nerScore87.326 / 100

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"Isn't it awful about people meaning to be kind?"

DIRECTOR: David Lean

WRITERS: Noël Coward

CINEMATOGRAPHY: Robert Krasker

STARRING: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey, Cyril Raymond

GENRE: Romance, Melodrama

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

Brief Encounter stands as a poignant exploration of restrained passion, with Lean’s adept direction and Johnson’s sublime performance. Adapting Noël Coward’s play, the film delicately dissects societal norms, making it a timeless testament to the complexities of love and morality.

178

Battleship Potemkin

'Bronenosets Potemkin'

1925 | 1h 15m | USSR | RUSSIAN

Top10nerScore87.359 / 100

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"COSSACKS!"

DIRECTOR: Sergei Eisenstein

WRITERS: Sergei Eisenstein, Nina Agadzhanova, Nikolay Aseev, Sergey Tretyakov

CINEMATOGRAPHY: Eduard Tisse

STARRING: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov, Ivan Bobrov, Mikhail Gomorov

GENRE: Propaganda Film, Period Drama, Soviet Montage, War

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Battleship Potemkin is a groundbreaking masterpiece that revolutionized filmmaking with its innovative techniques and powerful storytelling. Eisenstein’s dynamic direction and iconic montage sequences create a visceral and unforgettable portrayal of revolution and solidarity.

177

It's Such a
Beautiful Day

2012 | 1h 02m | USA | ENGLISH

Top10nerScore87.450 / 100

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"He lives, and he lives, until all of the lights, go out."

DIRECTOR: Don Hertzfeldt

WRITERS: Don Hertzfeldt

CINEMATOGRAPHY: Don Hertzfeldt

STARRING: Don Hertzfeldt

GENRE: Animation, Psychological Drama, Surrealism, Black Comedy

Bill struggles to put together his shattered psyche, in this feature film version of Don Hertzfeldt’s animated short film trilogy.

It’s Such a Beautiful Day transcends traditional animation, blending poignant storytelling with experimental visuals. Hertzfeldt’s innovative storytelling captivates with its poignant examination of mental health, existentialism, and the delicate interplay between memory and mortality.

176

The Elephant Man

1980 | 2h 04m | USA & UK | ENGLISH

Top10nerScore87.452 / 100

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"I am not an animal! I am a human being! I am a man!"

DIRECTOR: David Lynch

WRITERS: David Lynch, Eric Bergren, Christopher De Vore

CINEMATOGRAPHY: Freddie Francis

STARRING: John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud

GENRE: Biopic, Drama

A Victorian surgeon rescues a heavily disfigured man being mistreated by his “owner” as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

The Elephant Man resonates as a poignant exploration of humanity, blending Lynch’s distinctive vision with Hurt’s transformation. Skillfully navigating emotional nuances, it’s a compelling study of compassion, showcasing the exquisite intersection of artistry and empathy in cinema.

175

Three Colours

Blue

'Trois couleurs: Bleu'

1993 | 1h 38m | FRANCE, POL & SUI | FRENCH

Top10nerScore87.460 / 100

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"Because you're not."

DIRECTOR: Krzysztof Kieślowski

WRITERS: Krzysztof Kieślowski

CINEMATOGRAPHY: Slawomir Idziak

STARRING: Juliette Binoche, Benoît Régent, Florence Pernel

GENRE: Psychological Drama

Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.

Three Colours: Blue envelops viewers in a symphony of emotions, guided by Juliette Binoche’s poignant performance. Kieslowski’s visual poetry and the haunting score resonate long after the credits roll. A luminous exploration of grief and liberation.

174

La Strada

'The Road'

1954 | 1h 55m | ITALY | ITALIAN

Top10nerScore87.498 / 100

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"The Fool is hurt."

DIRECTOR: Federico Fellini

WRITERS: Federico Fellini, Tullio Pinelli, Ennio Flaiano

CINEMATOGRAPHY: Otello Martelli

STARRING: Anthony Quinn, Giulietta Masina, Richard Basehart

GENRE: Road Movie, Drama, Melodrama

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband’s coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.

La Strada stands as a poignant exploration of human connection, seamlessly blending neorealism and poetic imagery. Masina’s captivating performance and Nino Rota’s score enrich this cornerstone of Fellini’s Trilogy of Loneliness, showcasing a transcendent cinematic experience.

173

Amélie

'Le fabuleux destin d'Amélie Poulain'

2001 | 2h 02m | FRANCE | FRENCH

Top10nerScore87.503 / 100

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'ONE PERSON CAN CHANGE YOUR LIFE FOREVER'

DIRECTOR: Jean-Pierre Jeunet

WRITERS: Jean-Pierre Jeunet, Guillaume Laurant

CINEMATOGRAPHY: Bruno Delbonnel

STARRING: Audrey Tautou, Mathieu Kassovitz, Rufus, Yolande Moreau, Serge Merlin

GENRE: Romantic Comedy, Drama

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

Amélie enchants with its whimsical narrative and vibrant visuals, crafting a nostalgic love letter to Paris. Tautou’s captivating performance adds charm, while Jeunet’s inventive direction elevates this modern classic, celebrating life’s simple joys with delightful creativity.

172

The Handmaiden

'Ah-ga-ssi'

2016 | 2h 25m | SOUTH KOREA | KOR/JAP

Top10nerScore87.510 / 100

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"Where I come from, it's illegal to be naive."

DIRECTOR: Park Chan-wook

WRITERS: Park Chan-wook, Chung Seo-kyung

CINEMATOGRAPHY: Jeong Jeong-hun

STARRING: Kim Min-hee, Kim Tae-ri, Ha Jung-woo, Cho Jin-woong

GENRE: Erotic Thriller, Period Drama, LGBTQ+, Drama

In 1930s Korea, a new girl is hired as a handmaiden to a Japanese heiress who lives a secluded life on a large countryside estate. But the maid has a secret: She is a pickpocket recruited by a swindler, who is posing as a Japanese Count, to help him seduce the Lady and steal her fortune.

The Handmaiden mesmerizes with its exquisite blend of mystery, romance, and betrayal. Park Chan-wook’s meticulous direction and stunning cinematography craft a lush, unforgettable tale. A triumph in storytelling and visual artistry, it captivates from start to finish.

171

Das Boot

'The Boat'

1981 | 2h 30m | WEST-GERMANY | GERMAN

Top10nerScore87.517 / 100

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"The only thing I feel is afraid."

DIRECTOR: Wolfgang Petersen

WRITERS: Wolfgang Petersen, Dean Riesner

CINEMATOGRAPHY: Jost Vacano

STARRING: Jürgen Prochnow, Herbert Grönemeyer, Klaus Wennemann

GENRE: War, Period Drama

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

Das Boot is an immersive and intense portrayal of life aboard a German U-boat during World War II. Petersen’s direction plunges viewers into the claustrophobic depths of the submarine, capturing both the camaraderie and the terror of underwater warfare with gripping realism.

170

The Conversation

1974 | 1h 53m | USA | ENGLISH

Top10nerScore87.535 / 100

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"He'd kill us if he got the chance."

DIRECTOR: Francis Ford Coppola

WRITERS: Francis Ford Coppola

CINEMATOGRAPHY: Bill Butler, Haskell Wexler

STARRING: Gene Hackman, John Cazale, Allen Garfield, Cindy Williams, Frederic Forrest

GENRE: Psychological Thriller, New Hollywood, Mystery, Drama

Surveillance expert Harry Caul is hired by a mysterious client’s brusque aide to tail a young couple. Tracking the pair through San Francisco’s Union Square, Caul and his associate Stan manage to record a cryptic conversation between them. Tormented by memories of a previous case that ended badly, Caul becomes obsessed with the resulting tape, trying to determine if the couple are in danger.

The Conversation masterfully navigates the complexities of surveillance and morality, showcasing Coppola’s prowess. Hackman’s mesmerizing performance captures the tension and ethical dilemmas with subtlety, while the intricate plot keeps audiences engaged from start to finish.

169

Forrest Gump

1994 | 2h 22m | USA | ENGLISH

Top10nerScore87.601 / 100

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"I'm pretty tired... I think I'll go home now."

DIRECTOR: Robert Zemeckis

WRITERS: Eric Roth

CINEMATOGRAPHY: Don Burgess

STARRING: Tom Hanks, Robin Wright, Gary Sinise, Sally Field, Mykelti Williamson

GENRE: Drama, Comedy, Romance, Alternate History

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Forrest Gump ingeniously intertwines history with a heartwarming narrative, showcasing Hanks’ exceptional performance. Its poignant storytelling and iconic quotes make it a timeless classic, earning unanimous praise for its emotional depth and cinematic brilliance.

168

Trainspotting

1996 | 1h 34m | UK | ENGLISH

Top10nerScore87.620 / 100

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"Who needs reasons when you've got heroin?"

DIRECTOR: Danny Boyle

WRITERS: John Hodge

CINEMATOGRAPHY: Brian Tufano

STARRING: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle, Kelly Macdonald, Kevin McKidd

GENRE: Black Comedy, Drama

With an unforgettable soundtrack, Irvine Welsh’s cult 1993 novel of the same name comes to life in this colorful portrait of a group of junkies in the 1980s in Edinburgh, as one of the them, Mark Renton, struggles to get clean and get out of Scotland.

Trainspotting electrifies with its raw portrayal of Edinburgh’s underworld. Boyle’s kinetic direction and McGregor’s riveting performance lead a visceral journey through addiction and redemption. A gritty gem that defies cinematic norms, leaving an indelible mark on viewers.

167

Blue Velvet

1986 | 2h 00m | USA | ENGLISH

Top10nerScore87.829 / 100

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"Fuck you, you fucking fuck!"

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Frederick Elmes

STARRING: Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern, Hope Lange, Dean Stockwell

GENRE: Mystery, Thriller, Crime, Neo-Noir

The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of criminals who have kidnapped her child.

Blue Velvet is a mesmerizing and surreal journey into the dark underbelly of suburbia, expertly crafted by Lynch. With its dreamlike atmosphere and haunting performances, the film explores themes of desire, obsession, and the seedy complexities of human nature.

166

On the Waterfront

1954 | 1h 48m | USA | ENGLISH

Top10nerScore87.860 / 100

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"I coulda been a contender."

DIRECTOR: Elia Kazan

WRITERS: Budd Schulberg

CINEMATOGRAPHY: Boris Kaufman

STARRING: Marlon Brando, Eva Marie Saint, Karl Malden, Rod Steiger, Lee J. Cobb, Pat Henning

GENRE: Drama, Crime, Melodrama

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny’s thugs, and later meets the dead man’s sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.

On the Waterfront resonates as a cinematic triumph, showcasing Elia Kazan’s prowess and Marlon Brando’s iconic performance. Its gritty portrayal of corruption in the docks, coupled with Leonard Bernstein’s haunting score, solidifies its enduring impact on American cinema.

165

The Man Who Shot Liberty Valance

1962 | 2h 03m | USA | ENGLISH

Top10nerScore87.921 / 100

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"When the legend becomes fact, print the legend."

DIRECTOR: John Ford

WRITERS: Willis Goldbeck, James Warner Bellah, Dorothy M. Johnson

CINEMATOGRAPHY: William H. Clothier

STARRING: John Wayne, James Stewart, Lee Marvin, Vera Miles, Edmond O’Brien, Andy Devine

GENRE: Western, Drama

Questions arise when a Senator returns to a small Western town to attend the funeral of a local man he once saved from a notorious outlaw who spread terror across the town. He reveals the truth behind his ‘good’ deed.

The Man Who Shot Liberty Valance is a timeless Western that delves into the myth of the American frontier. Ford’s mastery, paired with stellar performances from Wayne and Stewart, crafts a compelling narrative exploring the complexities of justice, honor, and the power of legend.

164

Aguirre,
the Wrath of God

'Aguirre, der Zorn Gottes'

1972 | 1h 35m | WEST-GERMANY | GERMAN

Top10nerScore87.924 / 100

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"I am the wrath of God. Who else is with me?"

DIRECTOR: Werner Herzog

WRITERS: Werner Herzog

CINEMATOGRAPHY: Thomas Mauch

STARRING: Klaus Kinski, Helena Rojo, Del Negro, Ruy Guerra

GENRE: Period Drama, Adventure, New German Cinema

A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirre, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to “the golden city”, or to certain destruction?

Aguirre, the Wrath of God is an arresting cinematic journey, navigating the tumultuous depths of ambition and madness. Its haunting imagery and Kinski’s unrelentless performance captivate, crafting an enduring exploration of human obsession and the unforgiving power of nature.

163

Mad Max: Fury Road

2015 | 2h 01m | AUSTRALIA & USA | ENGLISH

Top10nerScore87.928 / 100

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"Witness me."

DIRECTOR: George Miller

WRITERS: George Miller, Nick Lathouris, Brendan McCarthy

CINEMATOGRAPHY: John Seale

STARRING: Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne

GENRE: Post-Apocalyptic, Carsploitation, Action

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.

Mad Max: Fury Road seamlessly blends adrenaline-pumping action with a visually stunning dystopian landscape. Miller’s meticulous attention to practical effects paired with Seale’s groundbreaking cinematography elevates this post-apocalyptic epic to a genre-defining triumph.

162

The Lion King

1994 | 1h 29m | USA | ENGLISH

Top10nerScore87.930 / 100

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"I'm surrounded by idiots."

DIRECTORS: Roger Allers, Rob Minkoff

WRITERS: Irene Mecchi, Jonathan Roberts, Linda Woolverton

STARRING: Matthew Broderick, Jeremy Irons, James Earl Jones, Jonathan Taylor Thomas, Moira Kelly, Rowan Atkinson, Nathan Lane, Ernie Sabella

GENRE: Animation, Musical, Family, Adventure, Coming-of-Age

A young lion prince is cast out of his pride by his cruel uncle, who claims he killed his father. While the uncle rules with an iron paw, the prince grows up beyond the Savannah, living by a philosophy: No worries for the rest of your days. But when his past comes to haunt him, the young prince must decide his fate: Will he remain an outcast or face his demons and become what he needs to be?

In The Lion King, Disney crafts a savannah symphony of stunning animation, timeless melodies, and poignant storytelling. Its majestic roar echoes through generations, an enduring classic hailed for its heart, humor, and Hakuna Matata spirit.

161

Dog Day Afternoon

1975 | 2h 05m | USA | ENGLISH

Top10nerScore87.955 / 100

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"When I'm being fucked, I like to get kissed a lot."

DIRECTOR: Sidney Lumet

WRITERS: Frank Pierson

CINEMATOGRAPHY: Victor J. Kemper

STARRING: Al Pacino, John Cazale, Charles Durning, Chris Sarandon

GENRE: Heist Film, Drama, New Hollywood, Biopic, Satire

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturale. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny’s motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

Distinguished by Sidney Lumet’s dynamic command and Al Pacino’s tour-de-force performance, Dog Day Afternoon captivates with its gripping portrayal of a real-life bank heist, skillfully blending suspense, social commentary, and a nuanced exploration of complex characters.

160

The Deer Hunter

1978 | 3h 03m | USA | ENGLISH

Top10nerScore87.957 / 100

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"I just don't like no surprises."

DIRECTOR: Michael Cimino

WRITERS: Deric Washburn, Michael Cimino

CINEMATOGRAPHY: Vilmos Zsigmond

STARRING: Robert De Niro, Christopher Walken, Meryl Streep, John Savage, John Cazale, George Dzundza

GENRE: War, Drama, New Hollywood

A group of working-class friends decides to enlist in the Army during the Vietnam War and finds it to be hellish chaos – not the noble venture they imagined. Before they left, Steven married his pregnant girlfriend – and Michael and Nick were in love with the same woman. But all three are different men upon their return.

The Deer Hunter captivates with its raw portrayal of human resilience amid the brutality of war. Its poignant narrative unfolds with haunting authenticity, drawing audiences into a profound exploration of friendship, sacrifice, and the enduring power of hope.

159

Children of Paradise

'Les enfants du paradis'

1945 | 3h 11m | FRANCE | FRENCH

Top10nerScore87.985 / 100

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"Their lives are small, but their dreams are vast."

DIRECTOR: Marcel Carné

WRITERS: Jacques Prévert

CINEMATOGRAPHY: Roger Hubert, Marc Fossard

STARRING: Arletty, Jean-Louis Barrault, Pierre Brasseur, Marcel Herrand, Maria Casarès

GENRE: Romance, Poetic Realism, Drama

Deftly entwining theater, literature, music, and design, director Marcel Carné and screenwriter Jacques Prévert resurrect the tumultuous world of nineteenth-century Paris, teeming with hucksters and aristocrats, thieves and courtesans, pimps and seers.

Children of Paradise is a cinematic triumph, seamlessly blending Carné’s direction with Prévert’s poignant script. Set against the backdrop of 19th-century Paris, the film intricately weaves together love, art, and societal commentary, establishing itself as an enduring classic in French cinema.

158

Pan's Labyrinth

'El laberinto del fauno'

2006 | 1h 58m | SPAIN, MEX & USA | SPANISH

Top10nerScore88.022 / 100

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"No. He won't even know your name."

DIRECTOR: Guillermo del Toro

WRITERS: Guillermo del Toro

CINEMATOGRAPHY: Guillermo Navarro

STARRING: Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, Ariadna Gil

GENRE: Fairy Tale, Drama, Fantasy, Portal Fantasy, Gothic

Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.

Pan’s Labyrinth captivates with its hauntingly beautiful visuals and profound narrative. The film seamlessly blends fantasy and reality, exploring the Spanish Civil War’s impact on a young girl, showcasing del Toro’s signature mix of dark fantasy and historical allegory.

157

Heat

1995 | 2h 50m | USA | ENGLISH

Top10nerScore88.109 / 100

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"Who? Who? What are you, a fucking owl?"

DIRECTOR: Michael Mann

WRITERS: Michael Mann

CINEMATOGRAPHY: Dante Spinotti

STARRING: Robert De Niro, Al Pacino, Val Kilmer, Tom Sizemore, Ashley Judd, Jon Voight

GENRE: Thriller, Heist Film, Drama, Crime

Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.

Heat stands as a seminal crime thriller, lauded for its meticulous realism, fueled by Michael Mann’s commitment to authenticity. With a riveting cat-and-mouse game between Pacino and De Niro, the film elevates the genre, blending high-octane action with intricate character exploration.

156

Monty Python and
the Holy Grail

1975 | 1h 31m | UK | ENGLISH

Top10nerScore88.111 / 100

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"It's just a flesh wound."

DIRECTOR: Terry Gilliam, Terry Jones

WRITERS: Terry Gilliam, Michael Palin, Terry Jones, Graham Chapman, John Cleese, Eric Idle, Thomas Malory

CINEMATOGRAPHY: Terry Bedford

STARRING: Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry Jones, Michael Palin

GENRE: Absurdist Comedy, Adventure, Parody, Medieval

King Arthur journeys across England assembling the Knights of the Round Table. When God instructs them to seek the Holy Grail, they are led on a series of surreal and comical quests.

Monty Python and the Holy Grail delights with its irreverent humor and genius satire. Its comedic brilliance knows no bounds as it ingeniously parodies the Arthurian legend, leaving audiences in stitches while offering clever insights into society and the absurdity of human nature.

155

The Grand
Budapest Hotel

2014 | 1h 40m | USA & GER | ENGLISH

Top10nerScore88.124 / 100

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"Keep your hands off my lobby boy!"

DIRECTOR: Wes Anderson

WRITERS: Wes Anderson, Hugo Guinness

CINEMATOGRAPHY: Robert D. Yeoman

STARRING: Ralph Fiennes, Tony Revolori, F. Murray Abraham, Adrien Brody, Willem Dafoe, Saoirse Ronan, Jeff Goldblum, Edward Norton, Tilda Swinton, Jude Law, Harvey Keitel

GENRE: Comedy, Adventure

The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.

The Grand Budapest Hotel spins a whimsical tale of charm and nostalgia, wrapped in Wes Anderson’s signature visual flair. With a stellar ensemble cast and meticulous attention to detail, it’s a delightful journey through a bygone era, leaving audiences enchanted and eager for more.

154

The Departed

2006 | 2h 31m | USA | ENGLISH

Top10nerScore88.141 / 100

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"Maybe. Maybe not. Maybe fuck yourself."

DIRECTOR: Martin Scorsese

WRITERS: William Monahan, Alan Mak, Felix Chong

CINEMATOGRAPHY: Michael Ballhaus

STARRING: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Alec Baldwin, Vera Farmiga

GENRE: Gangster Film, Thriller, Drama, Crime

To take down South Boston’s Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there’s a mole among them.

The Departed navigates Boston’s gritty underworld with electrifying finesse. Scorsese orchestrates a symphony of suspense, fueled by stellar performances and a labyrinthine plot. A modern classic, it keeps hearts racing and minds guessing till the final frame.

153

Rosemary's Baby

1968 | 2h 18m | USA | ENGLISH

Top10nerScore88.165 / 100

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"Witches... All of them witches!"

DIRECTOR: Roman Polanski

WRITERS: Roman Polanski

CINEMATOGRAPHY: William A. Fraker

STARRING: Mia Farrow, Ruth Gordon, John Cassavetes, Sidney Blackmer, Maurice Evans, Ralph Bellamy

GENRE: Mystery, Psychological Horror, New Hollywood

A young couple moves into an infamous New York apartment building to start a family. Things become frightening as Rosemary begins to suspect her unborn baby isn’t safe around their strange neighbors.

Rosemary’s Baby mesmerizes with its chilling atmosphere and psychological depth. Its slow-burning tension and masterful storytelling keep viewers on the edge of their seats, while Mia Farrow’s haunting performance elevates the film to an unforgettable cinematic experience.

152

Le Trou

'The Hole'

1960 | 2h 12m | FRANCE & ITA | FRENCH

Top10nerScore88.249 / 100

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"It took place in 1947 at the Sante prison…"

DIRECTOR: Jacques Becker

WRITERS: Jean Aurel, José Giovanni, Jacques Becker

CINEMATOGRAPHY: Ghislain Cloquet

STARRING: Michel Constantin, Jean Keraudy, Marc Michel, Philippe Leroy, Raymond Meunier

GENRE: Prison Film, Drama

Four prison inmates have been hatching a plan to literally dig out of jail when another prisoner, Claude Gaspard, is moved into their cell. They take a risk and share their plan with the newcomer. Over the course of three days, the prisoners and friends break through the concrete floor using a bed post and begin to make their way through the sewer system – yet their escape is anything but assured.

Le Trou captivates with its immersive storytelling and authentic portrayal of a prison break. The film’s gritty realism, skilled direction, and compelling performances fuse seamlessly, offering a gripping cinematic experience that resonates with both suspense and emotional resonance.

151

Annie Hall

1977 | 1h 33m | USA | ENGLISH

Top10nerScore88.276 / 100

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"That sex was the most fun I've ever had without laughing."

DIRECTOR: Woody Allen

WRITERS: Woody Allen, Marshall Brickman

CINEMATOGRAPHY: Gordon Willis

STARRING: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall

GENRE: Romantic Comedy, New Hollywood, Drama

Alvy Singer, a divorced Jewish comedian, reflects on his relationship with ex-lover Annie Hall, an aspiring nightclub singer, which ended abruptly just like his previous marriages.

Annie Hall is an intellectual triumph, seamlessly blending Allen’s neurotic humor with Keaton’s endearing charm. The film’s non-linear narrative, Willis’ innovative cinematography, and insightful exploration of relationships make it a seminal work in the romantic comedy genre.

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