EVERY DAVID
LYNCH
FILM RANKED

David Lynch’s recent passing marked the end of an extraordinary chapter in cinema. At 78, Lynch left behind a legacy that reshaped the boundaries of storytelling and redefined the art of filmmaking. His work, as hauntingly beautiful as it was deeply unsettling, invited us to explore the darkest corners of the human psyche while reveling in moments of transcendent beauty.

From the nightmarish industrial landscapes of Eraserhead to the dreamlike puzzles of Mulholland Drive and the quiet tenderness of The Straight Story, Lynch’s films were a celebration of the surreal, the enigmatic, and the profoundly human. Few filmmakers dared to challenge audiences as he did, and fewer still did so with such grace, humor, and audacity.

And yes, we know… Lynch would probably hate the idea of ranking his work, rolling his eyes at the very notion of reducing his films to a list. But we like to think he’d at least appreciate the conversation it sparks, the endless speculation, and the passion his films continue to inspire.

As we revisit and rank all 10 of his feature films, we honor a visionary whose work continues to challenge, mesmerize, and defy explanation. This is our tribute to a man who forever changed the way we see and experience the world through cinema.

DAVID LYNCH - FILMOGRAPHY

Eraserhead1977
The Elephant Man1980
Dune1984
Blue Velvet1986
Wild at Heart1990
Twin Peaks: Fire Walk with Me1992
Lost Highway1997
The Straight Story1999
Mulholland Drive2001
Inland Empire2006

10

Dune

1984 | 2h 17m | USA | ENGLISH | 12+

Top10nerScore56.172 / 100

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"He who controls the spice controls the universe."

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Freddie Francis

STARRING: Kyle MacLachlan, Francesca Annis, Patrick Stewart, José Ferrer, Freddie Jones, Brad Dourif, Linda Hunt, Richard Jordan, Virginia Madsen, Silvana Mangano

GENRE: Space Opera, Epic

Dune is a visually ambitious yet uneven adaptation of Frank Herbert’s sci-fi epic. Lynch’s distinctive style is apparent in the film’s bold set designs and surreal imagery, but the dense narrative struggles to translate the novel’s complexity into a coherent film. The performances are varied, with MacLachlan’s portrayal of Paul Atreides offering some grounding amidst a sometimes campy ensemble. Lynch himself has disowned the film, expressing frustration with the studio’s interference. Despite its visual appeal and Lynch’s creative touches, Dune falls short in capturing the full depth and intricacy of the source material. It remains a fascinating but flawed project, comfortably Lynch’s weakest film.

Dune is a visually ambitious yet uneven adaptation of Frank Herbert’s sci-fi epic. Lynch’s distinctive style is apparent in the film’s bold set designs and surreal imagery, but the dense narrative struggles to translate the novel’s complexity into a coherent film. The performances are varied, with MacLachlan’s portrayal of Paul Atreides offering some grounding amidst a sometimes campy ensemble. Lynch himself has disowned the film, expressing frustration with the studio’s interference. Despite its visual appeal and Lynch’s creative touches, Dune falls short in capturing the full depth and intricacy of the source material. It remains a fascinating but flawed project, comfortably Lynch’s weakest film.

09

Wild at Heart

1990 | 2h 05m | USA | ENGLISH | 17+

Top10nerScore75.242 / 100

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"This whole world's wild at heart and weird on top."

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Frederick Elmes

STARRING: Nicolas Cage, Laura Dern, Willem Dafoe, J.E. Freeman, Crispin Glover, Diane Ladd, Calvin Lockhart, Isabella Rossellini, Harry Dean Stanton

GENRE: Romance, Crime, Black Comedy, Drama

THEME: Road Movie

Wild at Heart is a chaotic, electrifying road movie that blends Lynch’s trademark surrealism with a rock-and-roll sensibility. The film follows Sailor and Lula, a passionate couple on the run from violent pursuers. Lynch’s direction is as vibrant and unpredictable as the characters themselves, shifting between moments of wild fantasy and stark brutality. Cage’s unhinged performance and Dern’s captivating presence anchor the film, while the soundtrack pulses with energy, further amplifying the film’s rebellious spirit. Wild at Heart is a bold, eccentric love story set against a backdrop of violence and strange characters, embodying Lynch’s ability to craft an unconventional narrative that’s as weird as it is unforgettable. 

Wild at Heart is a chaotic, electrifying road movie that blends Lynch’s trademark surrealism with a rock-and-roll sensibility. The film follows Sailor and Lula, a passionate couple on the run from violent pursuers. Lynch’s direction is as vibrant and unpredictable as the characters themselves, shifting between moments of wild fantasy and stark brutality. Cage’s unhinged performance and Dern’s captivating presence anchor the film, while the soundtrack pulses with energy, further amplifying the film’s rebellious spirit. Wild at Heart is a bold, eccentric love story set against a backdrop of violence and strange characters, embodying Lynch’s ability to craft an unconventional narrative that’s as weird as it is unforgettable. 

08

Inland Empire

2006 | 3h 00m | USA, FRA & POL | ENGLISH | 17+

Top10nerScore76.021 / 100

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"He come to a reapin' what he had been sowin'"

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: David Lynch

STARRING: Laura Dern, Jeremy Irons, Justin Theroux, Harry Dean Stanton, Karolina Gruszka

GENRE: Surrealism, Psychological Thriller, Mystery, Experimental, Postmodernism

Inland Empire is a sprawling, disorienting journey into the depths of identity, reality, and the psyche. Clocking in at three hours, Lynch’s film follows an actress as she becomes increasingly lost in a labyrinth of overlapping narratives and surreal, often disturbing imagery. The film’s nonlinear structure and fragmented storytelling create a dreamlike atmosphere, making it a challenging but captivating experience. Dern delivers an extraordinary performance, diving into a complex role that is both haunting and mesmerizing. Inland Empire is a bold, experimental piece, a perfect example of Lynch’s ability to create unsettling and intricate worlds that blur the lines between reality and illusion. It’s a demanding, sometimes impenetrable work, but one that rewards those willing to venture into its enigmatic depths.

Inland Empire is a sprawling, disorienting journey into the depths of identity, reality, and the psyche. Clocking in at three hours, Lynch’s film follows an actress as she becomes increasingly lost in a labyrinth of overlapping narratives and surreal, often disturbing imagery. The film’s nonlinear structure and fragmented storytelling create a dreamlike atmosphere, making it a challenging but captivating experience. Dern delivers an extraordinary performance, diving into a complex role that is both haunting and mesmerizing. Inland Empire is a bold, experimental piece, a perfect example of Lynch’s ability to create unsettling and intricate worlds that blur the lines between reality and illusion. It’s a demanding, sometimes impenetrable work, but one that rewards those willing to venture into its enigmatic depths.

07

Twin Peaks

Fire Walk with Me

1992 | 2h 15m | USA | ENGLISH | 17+

Top10nerScore79.162 / 100

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Bob, I want all my Garmonbozia."

DIRECTOR: David Lynch

WRITERS: David Lynch, Robert Engels, Mark Frost

CINEMATOGRAPHY: Ronald Víctor García

STARRING: Sheryl Lee, Ray Wise, Kyle MacLachlan, Mädchen Amick, Dana Ashbrook, Miguel Ferrer, Phoebe Augustine

GENRE: Surrealism, Psychological Thriller, Mystery, Psychological Horror

Fire Walk with Me is a chilling and surreal exploration of the darkness beneath the seemingly idyllic world of Twin Peaks. Serving as both a prequel and an expansion of the TV series, the film delves into the final days of Laura Palmer, whose tragic fate has long haunted the series. Lynch’s direction is as haunting as ever, using disturbing imagery, surreal sequences, and an unsettling score to create an atmosphere of constant dread. Lee’s performance is deeply moving, bringing raw emotion to a character torn between innocence and torment. Fire Walk with Me is a nightmarish dive into the heart of Twin Peaks’ mysteries, embracing the darkness in a way the TV show only hinted at. It’s a polarizing but undeniably bold entry into Lynch’s body of work, showcasing his ability to craft an unsettling and emotional cinematic experience.

Fire Walk with Me is a chilling and surreal exploration of the darkness beneath the seemingly idyllic world of Twin Peaks. Serving as both a prequel and an expansion of the TV series, the film delves into the final days of Laura Palmer, whose tragic fate has long haunted the series. Lynch’s direction is as haunting as ever, using disturbing imagery, surreal sequences, and an unsettling score to create an atmosphere of constant dread. Lee’s performance is deeply moving, bringing raw emotion to a character torn between innocence and torment. Fire Walk with Me is a nightmarish dive into the heart of Twin Peaks’ mysteries, embracing the darkness in a way the TV show only hinted at. It’s a polarizing but undeniably bold entry into Lynch’s body of work, showcasing his ability to craft an unsettling and emotional cinematic experience.

06

Lost Highway

1997 | 2h 14m | USA & FRA | ENGLISH | 17+

Top10nerScore81.075 / 100

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"I like to remember things my own way."

DIRECTOR: David Lynch

WRITERS: David Lynch, Barry Gifford

CINEMATOGRAPHY: Peter Deming

STARRING: Patricia Arquette, Bill Pullman, Balthazar Getty, Robert Blake, Robert Loggia, Michael Massee

GENRE: Mystery, Psychological Thriller, Surrealism, Neo-Noir

Lost Highway is a haunting and enigmatic thriller that perfectly captures Lynch’s talent for blending surrealism with psychological tension. The film follows a jazz musician caught in a spiral of paranoia and danger, while an intertwined narrative delves into a world of mystery and obsession. Lynch’s direction creates an oppressive atmosphere, where every scene feels laden with tension. Arquette delivers a compelling performance, embodying the film’s sense of intrigue and danger. Lost Highway is an unsettling exploration of identity and guilt, a fascinating and complex film that invites viewers to lose themselves in Lynch’s unique world of disorienting narrative and imagery.

Lost Highway is a haunting and enigmatic thriller that perfectly captures Lynch’s talent for blending surrealism with psychological tension. The film follows a jazz musician caught in a spiral of paranoia and danger, while an intertwined narrative delves into a world of mystery and obsession. Lynch’s direction creates an oppressive atmosphere, where every scene feels laden with tension. Arquette delivers a compelling performance, embodying the film’s sense of intrigue and danger. Lost Highway is an unsettling exploration of identity and guilt, a fascinating and complex film that invites viewers to lose themselves in Lynch’s unique world of disorienting narrative and imagery.

05

The Straight Story

1999 | 1h 52m | USA & FRA | ENGLISH | 10+

Top10nerScore81.802 / 100

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"That bundle... that's family."

DIRECTOR: David Lynch

WRITERS: John Roach, Mary Sweeney

CINEMATOGRAPHY: Freddie Francis

STARRING: Richard Farnsworth, Sissy Spacek, Harry Dean Stanton, Joseph A. Carpenter, Jane Galloway Heitz

GENRE: Drama, Biopic

THEME: Road Movie

The Straight Story is a remarkable and gentle departure from Lynch’s usual surrealism, offering a poignant and humanistic tale of reconciliation and forgiveness. The film follows Alvin Straight, an elderly man who embarks on a cross-country journey on a lawnmower to reconcile with his estranged brother. Lynch’s direction is tender and understated, focusing on the beauty of the American landscape and the simplicity of human connection. Farnsworth’s performance is deeply affecting, capturing the quiet dignity of his character. With its meditative pacing and profound themes, The Straight Story is a heartfelt and unexpectedly serene addition to Lynch’s diverse filmography, showcasing his ability to tell a deeply emotional, grounded story.

The Straight Story is a remarkable and gentle departure from Lynch’s usual surrealism, offering a poignant and humanistic tale of reconciliation and forgiveness. The film follows Alvin Straight, an elderly man who embarks on a cross-country journey on a lawnmower to reconcile with his estranged brother. Lynch’s direction is tender and understated, focusing on the beauty of the American landscape and the simplicity of human connection. Farnsworth’s performance is deeply affecting, capturing the quiet dignity of his character. With its meditative pacing and profound themes, The Straight Story is a heartfelt and unexpectedly serene addition to Lynch’s diverse filmography, showcasing his ability to tell a deeply emotional, grounded story.

04

Eraserhead

1977 | 1h 29m | USA | ENGLISH | 17+

Top10nerScore83.477 / 100

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"In Heaven, everything is fine."

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Frederick Elmes, Herbert Cardwell

STARRING: Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates

GENRE: Surrealism, Psychological Horror, Body Horror, Experimental

Eraserhead is a surreal, nightmarish debut that introduces Lynch’s distinctive cinematic voice. The film follows Henry Spencer, a man trapped in a disturbing, industrial world as he navigates his bizarre and unsettling reality. Lynch’s direction is atmospheric and abstract, using striking black-and-white imagery and avant-garde sound design to create an overwhelming sense of dread. The film’s haunting, minimalist approach leaves much open to interpretation, offering a disturbing exploration of fear, isolation, and parenthood. Eraserhead remains a landmark of experimental cinema, solidifying Lynch’s reputation for crafting unique, otherworldly narratives that continue to intrigue and unsettle viewers.

Eraserhead is a surreal, nightmarish debut that introduces Lynch’s distinctive cinematic voice. The film follows Henry Spencer, a man trapped in a disturbing, industrial world as he navigates his bizarre and unsettling reality. Lynch’s direction is atmospheric and abstract, using striking black-and-white imagery and avant-garde sound design to create an overwhelming sense of dread. The film’s haunting, minimalist approach leaves much open to interpretation, offering a disturbing exploration of fear, isolation, and parenthood. Eraserhead remains a landmark of experimental cinema, solidifying Lynch’s reputation for crafting unique, otherworldly narratives that continue to intrigue and unsettle viewers.

03

The Elephant Man

1980 | 2h 04m | USA & UK | ENGLISH | 13+

Top10nerScore87.452 / 100

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"I am not an animal! I am a human being! I am a man!"

DIRECTOR: David Lynch

WRITERS: David Lynch, Eric Bergren, Christopher De Vore

CINEMATOGRAPHY: Freddie Francis

STARRING: John Hurt, Anthony Hopkins, Anne Bancroft, Freddie Jones, John Gielgud

GENRE: Biopic, Drama

The Elephant Man is a poignant and haunting film that highlights Lynch’s ability to tell deeply emotional stories through his distinct visual style. Based on the true story of John Merrick, a man born with severe physical deformities, the film explores themes of compassion, identity, and societal cruelty. Lynch’s direction is sensitive and restrained, allowing the heartbreaking performances to shine, particularly from Hurt and Hopkins. The black-and-white cinematography adds to the film’s somber tone, enhancing its emotional depth. The Elephant Man is a striking departure from Lynch’s more surreal works, showcasing his versatility as a filmmaker and cementing his place as one of cinema’s most unique and visionary directors.

The Elephant Man is a poignant and haunting film that highlights Lynch’s ability to tell deeply emotional stories through his distinct visual style. Based on the true story of John Merrick, a man born with severe physical deformities, the film explores themes of compassion, identity, and societal cruelty. Lynch’s direction is sensitive and restrained, allowing the heartbreaking performances to shine, particularly from Hurt and Hopkins. The black-and-white cinematography adds to the film’s somber tone, enhancing its emotional depth. The Elephant Man is a striking departure from Lynch’s more surreal works, showcasing his versatility as a filmmaker and cementing his place as one of cinema’s most unique and visionary directors.

02

Blue Velvet

1986 | 2h 00m | USA | ENGLISH | 17+

Top10nerScore87.829 / 100

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"It's a strange world, isn't it?"

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Frederick Elmes

STARRING: Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern, Hope Lange, Dean Stockwell

GENRE: Mystery, Psychological Thriller, Crime, Neo-Noir

Blue Velvet is a masterful exploration of suburban darkness, where Lynch deftly blends the mundane with the grotesque. The film follows Jeffrey Beaumont, a young man who uncovers a disturbing underworld while investigating a severed ear found in a field. Lynch’s direction is both chilling and fascinating, using striking imagery and surreal moments to peel back the layers of small-town America, revealing hidden violence and perversity. The performances, especially from Rossellini and Hopper, are unforgettable, embodying the film’s unsettling atmosphere. With its bold themes, unforgettable visuals and characters, Blue Velvet is an essential entry in Lynch’s filmography, and a cornerstone of American cinema.

Blue Velvet is a masterful exploration of suburban darkness, where Lynch deftly blends the mundane with the grotesque. The film follows Jeffrey Beaumont, a young man who uncovers a disturbing underworld while investigating a severed ear found in a field. Lynch’s direction is both chilling and fascinating, using striking imagery and surreal moments to peel back the layers of small-town America, revealing hidden violence and perversity. The performances, especially from Rossellini and Hopper, are unforgettable, embodying the film’s unsettling atmosphere. With its bold themes, unforgettable visuals and characters, Blue Velvet is an essential entry in Lynch’s filmography, and a cornerstone of American cinema.

01

Mulholland Drive

2001 | 2h 27m | USA & FRA | ENGLISH | 17+

Top10nerScore90.864 / 100

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"Hey, pretty girl, time to wake up."

DIRECTOR: David Lynch

WRITERS: David Lynch

CINEMATOGRAPHY: Peter Deming

STARRING: Naomi Watts, Laura Harring, Justin Theroux, Ann Miller

GENRE: Mystery, Surrealism, Psychological Thriller, Psychological Drama, Neo-Noir

Mulholland Drive is a surreal and haunting masterpiece that epitomizes Lynch’s unique cinematic vision. The film follows an amnesiac woman and an aspiring actress as they unravel a complex web of mystery and identity in Los Angeles. Lynch’s direction is mesmerizing, blending dreamlike sequences with unsettling reality to create a film that defies easy interpretation. The performances, particularly from Watts, are deeply compelling, capturing the emotional intensity of the narrative. With its atmospheric tension, nonlinear structure, and enigmatic symbolism, Mulholland Drive stands as Lynch’s crowning achievement, a film that continuously invites new interpretations and captivates viewers with its eerie beauty.

Mulholland Drive is a surreal and haunting masterpiece that epitomizes Lynch’s unique cinematic vision. The film follows an amnesiac woman and an aspiring actress as they unravel a complex web of mystery and identity in Los Angeles. Lynch’s direction is mesmerizing, blending dreamlike sequences with unsettling reality to create a film that defies easy interpretation. The performances, particularly from Watts, are deeply compelling, capturing the emotional intensity of the narrative. With its atmospheric tension, nonlinear structure, and enigmatic symbolism, Mulholland Drive stands as Lynch’s crowning achievement, a film that continuously invites new interpretations and captivates viewers with its eerie beauty.

THANKS FOR READING!

We hope you enjoyed the list and discovered some inspiration for your next movie night.

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