Menu
Martin Scorsese is one of the most influential filmmakers of all time, a master of storytelling whose work has shaped modern cinema. For over five decades, he has explored crime, faith, ambition, and redemption with unmatched intensity. From the raw energy of Mean Streets to the epic scope of The Irishman, his films are defined by kinetic filmmaking, complex characters, and visceral emotion.
Whether chronicling the rise and fall of gangsters in Goodfellas, unraveling the fractured psyche of a loner in Taxi Driver, or capturing the intoxicating excess of The Wolf of Wall Street, Scorsese’s films pulse with urgency and emotion. His most recent film, Killers of the Flower Moon, is yet another towering achievement, blending historical tragedy with his signature storytelling prowess.
With a career that spans everything from hard-hitting crime dramas to deeply personal passion projects, Scorsese has left an indelible mark on cinema. Join us as we rank all 26 of his feature films, celebrating the artistry, themes, and unforgettable moments that define his legendary body of work.
Click below to delve deeper into our rating system and learn all about the inner workings of our algorithm.
| 1967 | Who’s That Knocking at My Door |
| 1972 | Boxcar Bertha |
| 1973 | Mean Streets |
| 1974 | Alice Doesn’t Live Here Anymore |
| 1976 | Taxi Driver |
| 1977 | New York, New York |
| 1980 | Raging Bull |
| 1982 | The King of Comedy |
| 1985 | After Hours |
| 1986 | The Color of Money |
| 1988 | The Last Temptation of Christ |
| 1990 | GoodFellas |
| 1991 | Cape Fear |
| 1993 | The Age of Innocence |
| 1995 | Casino |
| 1997 | Kundun |
| 1999 | Bringing Out the Dead |
| 2002 | Gangs of New York |
| 2004 | The Aviator |
| 2006 | The Departed |
| 2010 | Shutter Island |
| 2011 | Hugo |
| 2013 | The Wolf of Wall Street |
| 2016 | Silence |
| 2019 | The Irishman |
| 2023 | Killers of the Flower Moon |
Top10nerScore45.999 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Joyce Hooper Corrington, John William Corrington
CINEMATOGRAPHY: John M. Stephens
STARRING: Barbara Hershey, David Carradine, Barry Primus, Bernie Casey, John Carradine, Victor Argo
GENRE: Crime, Biopic, Period Drama
Boxcar Bertha is a minor footnote in Scorsese’s career, a rough and unpolished exploitation film that only occasionally hints at his future brilliance. The Depression-era crime story follows Bertha and union activist Bill Shelly as they turn to a life of crime, but the narrative feels thin and unfocused. While Scorsese brings some energy, the film lacks his trademark depth and character complexity. Aside from a few striking moments, especially in its violent climax, it feels more like a standard B-movie than a film from one of cinema’s greatest directors.
Boxcar Bertha is a minor footnote in Scorsese’s career, a rough and unpolished exploitation film that only occasionally hints at his future brilliance. The Depression-era crime story follows Bertha and union activist Bill Shelly as they turn to a life of crime, but the narrative feels thin and unfocused. While Scorsese brings some energy, the film lacks his trademark depth and character complexity. Aside from a few striking moments, especially in its violent climax, it feels more like a standard B-movie than a film from one of cinema’s greatest directors.
Top10nerScore56.148 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Martin Scorsese
CINEMATOGRAPHY: Richard H. Coll, Michael Wadleigh
STARRING: Harvey Keitel, Zina Bethune, Anne Collette, Lennard Kuras
GENRE: Drama, Romance
Scorsese’s feature debut, Who’s That Knocking at My Door, is a raw and personal exploration of love, guilt, and faith in working-class New York. Starring a young Harvey Keitel, it follows J.R., a streetwise Italian-American grappling with his romantic ideals and cultural upbringing. While the film’s structure is rough and its pacing uneven, Scorsese’s signature style begins to emerge through dynamic editing and an evocative use of music. More of a fascinating early experiment than a fully realized work, it offers glimpses of the masterful filmmaker he would become.
Scorsese’s feature debut, Who’s That Knocking at My Door, is a raw and personal exploration of love, guilt, and faith in working-class New York. Starring a young Harvey Keitel, it follows J.R., a streetwise Italian-American grappling with his romantic ideals and cultural upbringing. While the film’s structure is rough and its pacing uneven, Scorsese’s signature style begins to emerge through dynamic editing and an evocative use of music. More of a fascinating early experiment than a fully realized work, it offers glimpses of the masterful filmmaker he would become.
Top10nerScore62.561 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Mardik Martin, Earl Mac Rauch, Fred Ebb
CINEMATOGRAPHY: László Kovács
STARRING: Liza Minnelli, Robert De Niro, Lionel Stander, Barry Primus, Mary Kay Place
GENRE: Drama, Romance, Musical
THEME: Music
New York, New York is Scorsese’s ambitious attempt at blending classic Hollywood musicals with his grittier, character-driven sensibilities. Starring Robert De Niro as a volatile saxophonist and Liza Minnelli as a gifted singer, the film explores the rise and fall of their turbulent romance. While visually dazzling, with bold set designs and stylized cinematography, the film struggles with its tonal balance, veering between nostalgia and raw emotional realism. Minnelli shines, and the musical numbers soar, but the story often meanders, making this a fascinating yet flawed experiment in Scorsese’s filmography.
New York, New York is Scorsese’s ambitious attempt at blending classic Hollywood musicals with his grittier, character-driven sensibilities. Starring Robert De Niro as a volatile saxophonist and Liza Minnelli as a gifted singer, the film explores the rise and fall of their turbulent romance. While visually dazzling, with bold set designs and stylized cinematography, the film struggles with its tonal balance, veering between nostalgia and raw emotional realism. Minnelli shines, and the musical numbers soar, but the story often meanders, making this a fascinating yet flawed experiment in Scorsese’s filmography.
Top10nerScore62.575 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Melissa Mathison
CINEMATOGRAPHY: Roger Deakins
STARRING: Tenzin Thuthob Tsarong, Tencho Gyalpo, Tsewang Migyur Khangsar, Gyurme Tethong, Robert Lin
GENRE: Biopic, Period Drama
Kundun is a visually stunning yet restrained film from Scorsese, offering a spiritual exploration of the life of the 14th Dalai Lama. The film focuses on his rise to power, exile, and the Chinese invasion of Tibet. While Scorsese’s direction is respectful and the cinematography is breathtaking, particularly in its use of color and landscape, the pacing is slow, and the film often feels more like a historical recounting than an emotionally engaging narrative. Despite strong performances, particularly from Tenzin Thuthob Tsarong, Kundun lacks the visceral impact of Scorsese’s other works, making it an interesting but somewhat distant entry in his career.
Kundun is a visually stunning yet restrained film from Scorsese, offering a spiritual exploration of the life of the 14th Dalai Lama. The film focuses on his rise to power, exile, and the Chinese invasion of Tibet. While Scorsese’s direction is respectful and the cinematography is breathtaking, particularly in its use of color and landscape, the pacing is slow, and the film often feels more like a historical recounting than an emotionally engaging narrative. Despite strong performances, particularly from Tenzin Thuthob Tsarong, Kundun lacks the visceral impact of Scorsese’s other works, making it an interesting but somewhat distant entry in his career.
Top10nerScore65.893 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Paul Schrader
CINEMATOGRAPHY: Robert Richardson
STARRING: Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames, Tom Sizemore, Marc Anthony, Mary Beth Hurt
GENRE: Psychological Drama, Neo-Noir
Bringing Out the Dead is a striking, deeply atmospheric dive into the life of a paramedic, played by Nicolas Cage, navigating the chaos and moral weight of his nightly shifts in New York City. Scorsese’s frenetic style perfectly captures the emotional turmoil and exhaustion of Cage’s character, delivering an immersive experience with vibrant cinematography and a strong sense of place. While the narrative’s fragmented structure can be disorienting, the film’s exploration of guilt, redemption, and the fragility of life gives it a haunting resonance. It’s an ambitious, if occasionally uneven, work that adds another layer to Scorsese’s diverse career.
Bringing Out the Dead is a striking, deeply atmospheric dive into the life of a paramedic, played by Nicolas Cage, navigating the chaos and moral weight of his nightly shifts in New York City. Scorsese’s frenetic style perfectly captures the emotional turmoil and exhaustion of Cage’s character, delivering an immersive experience with vibrant cinematography and a strong sense of place. While the narrative’s fragmented structure can be disorienting, the film’s exploration of guilt, redemption, and the fragility of life gives it a haunting resonance. It’s an ambitious, if occasionally uneven, work that adds another layer to Scorsese’s diverse career.
Top10nerScore67.704 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Richard Price
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, John Turturro, Helen Shaver
GENRE: Drama
THEME: Sports
The Color of Money sees Scorsese stepping into the world of high-stakes pool, with Paul Newman reprising his role as Fast Eddie Felson, alongside a young Tom Cruise. The film blends character-driven drama with the tense thrills of the game, as Eddie mentors a brash, talented newcomer. Scorsese’s direction is slick, and the performances, particularly from Newman and Cruise, are strong, with their dynamic creating an engaging watch. While it doesn’t reach the heights of some of Scorsese’s more personal works, The Color of Money remains a solid, entertaining film that benefits from its sharp dialogue and a sense of fun.
The Color of Money sees Scorsese stepping into the world of high-stakes pool, with Paul Newman reprising his role as Fast Eddie Felson, alongside a young Tom Cruise. The film blends character-driven drama with the tense thrills of the game, as Eddie mentors a brash, talented newcomer. Scorsese’s direction is slick, and the performances, particularly from Newman and Cruise, are strong, with their dynamic creating an engaging watch. While it doesn’t reach the heights of some of Scorsese’s more personal works, The Color of Money remains a solid, entertaining film that benefits from its sharp dialogue and a sense of fun.
Top10nerScore69.266 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Wesley Strick
CINEMATOGRAPHY: Freddie Francis
STARRING: Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis, Joe Don Baker
GENRE: Psychological Thriller
THEME: Southern Gothic
Scorsese delivers a nerve-wracking psychological thriller with Cape Fear, a taut and stylish remake that turns up the intensity. Robert De Niro is terrifying as Max Cady, a vengeful ex-con who stalks the family of the lawyer who failed to defend him. Scorsese infuses the film with striking visuals, unnerving camerawork, and an oppressive atmosphere, making even mundane moments feel ominous. The film balances pulpy tension with deeper themes of guilt and justice, and De Niro’s chilling performance keeps it gripping throughout. While more overtly suspenseful than Scorsese’s usual work, Cape Fear remains a masterfully executed thriller that lingers long after the credits roll.
Scorsese delivers a nerve-wracking psychological thriller with Cape Fear, a taut and stylish remake that turns up the intensity. Robert De Niro is terrifying as Max Cady, a vengeful ex-con who stalks the family of the lawyer who failed to defend him. Scorsese infuses the film with striking visuals, unnerving camerawork, and an oppressive atmosphere, making even mundane moments feel ominous. The film balances pulpy tension with deeper themes of guilt and justice, and De Niro’s chilling performance keeps it gripping throughout. While more overtly suspenseful than Scorsese’s usual work, Cape Fear remains a masterfully executed thriller that lingers long after the credits roll.
Top10nerScore71.137 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Steven Zaillian, Kenneth Lonergan, Jay Cocks
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, John C. Reilly, Brendan Gleeson, Henry Thomas, Liam Neeson
GENRE: Period Drama, Gangster Film, Crime
Gangs of New York is a sprawling historical drama that showcases Scorsese’s skill in weaving together large-scale action and character-driven storytelling. Set in 19th-century New York, it focuses on the battle between rival gangs, with standout performances from Daniel Day-Lewis as the brutal Bill the Butcher and Leonardo DiCaprio as Amsterdam Vallon seeking revenge. The film’s gritty visuals and atmospheric recreation of the Five Points neighborhood immerse viewers in its violent world. Though the pacing occasionally falters, it’s an ambitious, thrilling tale that highlights Scorsese’s storytelling prowess.
Gangs of New York is a sprawling historical drama that showcases Scorsese’s skill in weaving together large-scale action and character-driven storytelling. Set in 19th-century New York, it focuses on the battle between rival gangs, with standout performances from Daniel Day-Lewis as the brutal Bill the Butcher and Leonardo DiCaprio as Amsterdam Vallon seeking revenge. The film’s gritty visuals and atmospheric recreation of the Five Points neighborhood immerse viewers in its violent world. Though the pacing occasionally falters, it’s an ambitious, thrilling tale that highlights Scorsese’s storytelling prowess.
Top10nerScore71.485 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: John Logan
CINEMATOGRAPHY: Robert Richardson
STARRING: Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly, Alec Baldwin, Alan Alda, Ian Holm, Danny Huston
GENRE: Biopic, Drama
The Aviator is a captivating biographical drama that showcases Scorsese’s mastery in bringing larger-than-life stories to the screen. With Leonardo DiCaprio delivering a commanding performance as Howard Hughes, the film traces his rise in the aviation industry, his personal struggles, and his eventual descent into madness. Scorsese’s direction, combined with the film’s stunning visuals and period detail, immerses viewers in the world of early Hollywood and aviation. The film balances spectacle with emotional depth, making it an engaging, dynamic portrayal of one of America’s most complex figures. A rich and absorbing film that stands as one of Scorsese’s more expansive works.
The Aviator is a captivating biographical drama that showcases Scorsese’s mastery in bringing larger-than-life stories to the screen. With Leonardo DiCaprio delivering a commanding performance as Howard Hughes, the film traces his rise in the aviation industry, his personal struggles, and his eventual descent into madness. Scorsese’s direction, combined with the film’s stunning visuals and period detail, immerses viewers in the world of early Hollywood and aviation. The film balances spectacle with emotional depth, making it an engaging, dynamic portrayal of one of America’s most complex figures. A rich and absorbing film that stands as one of Scorsese’s more expansive works.
Top10nerScore72.028 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: John Logan
CINEMATOGRAPHY: Robert Richardson
STARRING: Asa Butterfield, Ben Kingsley, Chloë Grace Moretz, Sacha Baron Cohen, Ray Winstone, Christopher Lee, Emily Mortimer
GENRE: Family, Adventure, Drama
Hugo marks a stunning departure for Scorsese, as he embraces family-friendly fantasy with a visually enchanting tribute to cinema history. Set in 1930s Paris, the film follows a young orphan, played by Asa Butterfield, who uncovers a mystery linked to a broken automaton. Scorsese’s love for film history shines through in every frame, with exquisite set design and a sense of wonder that appeals to all ages. The performances, especially from Butterfield and Ben Kingsley, are heartfelt, while the film’s camerawork is both inventive and immersive. Hugo is a heartfelt, beautifully crafted adventure that showcases Scorsese’s versatility and reverence for the magic of filmmaking.
Hugo marks a stunning departure for Scorsese, as he embraces family-friendly fantasy with a visually enchanting tribute to cinema history. Set in 1930s Paris, the film follows a young orphan, played by Asa Butterfield, who uncovers a mystery linked to a broken automaton. Scorsese’s love for film history shines through in every frame, with exquisite set design and a sense of wonder that appeals to all ages. The performances, especially from Butterfield and Ben Kingsley, are heartfelt, while the film’s camerawork is both inventive and immersive. Hugo is a heartfelt, beautifully crafted adventure that showcases Scorsese’s versatility and reverence for the magic of filmmaking.
Top10nerScore72.460 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Robert Getchell
CINEMATOGRAPHY: Kent L. Wakeford
STARRING: Ellen Burstyn, Kris Kristofferson, Alfred Lutter, Harvey Keitel, Diane Ladd, Lelia Goldoni, Billy Green Bush, Jodie Foster
GENRE: Drama, Romance
Alice Doesn’t Live Here Anymore is a rare character-driven drama-romance in Scorsese’s filmography, showcasing his ability to tell deeply personal stories outside the world of crime and violence. Following a recently widowed woman as she navigates life on her own with her young son, the film balances humor, hardship, and resilience with a naturalistic touch. Burstyn delivers a powerhouse performance, earning a well-deserved Oscar, while Scorsese’s direction keeps the story intimate and emotionally grounded. With strong supporting turns and a heartfelt narrative, this is a warm, compassionate film that proves Scorsese’s talents extend far beyond his signature genres.
Alice Doesn’t Live Here Anymore is a rare character-driven drama-romance in Scorsese’s filmography, showcasing his ability to tell deeply personal stories outside the world of crime and violence. Following a recently widowed woman as she navigates life on her own with her young son, the film balances humor, hardship, and resilience with a naturalistic touch. Burstyn delivers a powerhouse performance, earning a well-deserved Oscar, while Scorsese’s direction keeps the story intimate and emotionally grounded. With strong supporting turns and a heartfelt narrative, this is a warm, compassionate film that proves Scorsese’s talents extend far beyond his signature genres.
Top10nerScore73.743 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Jay Cocks, Martin Scorsese
CINEMATOGRAPHY: Rodrigo Prieto
STARRING: Andrew Garfield, Adam Driver, Liam Neeson, Tadanobu Asano, Issey Ogata
GENRE: Period Drama, Jidaigeki
THEME: Religious Film
Silence is one of Scorsese’s most meditative and spiritually profound films, a deeply introspective exploration of faith, suffering, and perseverance. Adapted from Shūsaku Endō’s novel, it follows two Jesuit priests on a harrowing journey to find their missing mentor in 17th-century Japan, where Christianity is outlawed. Scorsese’s restrained direction allows the weight of the story to unfold with haunting beauty, complemented by stunning cinematography and a quietly powerful performance from Garfield. While slow and unrelenting in its depiction of spiritual torment, Silence is an uncompromising and deeply personal work that lingers long after the credits roll.
Silence is one of Scorsese’s most meditative and spiritually profound films, a deeply introspective exploration of faith, suffering, and perseverance. Adapted from Shūsaku Endō’s novel, it follows two Jesuit priests on a harrowing journey to find their missing mentor in 17th-century Japan, where Christianity is outlawed. Scorsese’s restrained direction allows the weight of the story to unfold with haunting beauty, complemented by stunning cinematography and a quietly powerful performance from Garfield. While slow and unrelenting in its depiction of spiritual torment, Silence is an uncompromising and deeply personal work that lingers long after the credits roll.
Top10nerScore74.404 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Jay Cocks, Martin Scorsese
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Miriam Margolyes, Geraldine Chaplin, Jonathan Pryce, Alexis Smith, Siân Phillips, Richard E. Grant, Alec McCowen
GENRE: Romance, Period Drama
The Age of Innocence sees Scorsese trade crime and grit for elegance and repression, crafting a sumptuous period drama that simmers with unspoken desire. Adapted from Edith Wharton’s novel, the film follows Newland Archer as he navigates the rigid social codes of 19th-century New York, torn between duty and passion. Scorsese’s direction is meticulous, with lavish production design and exquisite visuals that bring the era to life. The performances are rich with subtlety, making every glance and hesitation feel meaningful. A departure from Scorsese’s usual fare, The Age of Innocence is a beautifully crafted, emotionally resonant piece of restraint and longing.
The Age of Innocence sees Scorsese trade crime and grit for elegance and repression, crafting a sumptuous period drama that simmers with unspoken desire. Adapted from Edith Wharton’s novel, the film follows Newland Archer as he navigates the rigid social codes of 19th-century New York, torn between duty and passion. Scorsese’s direction is meticulous, with lavish production design and exquisite visuals that bring the era to life. The performances are rich with subtlety, making every glance and hesitation feel meaningful. A departure from Scorsese’s usual fare, The Age of Innocence is a beautifully crafted, emotionally resonant piece of restraint and longing.
Top10nerScore76.877 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Paul Schrader
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Willem Dafoe, Harvey Keitel, Barbara Hershey, Victor Argo, Harry Dean Stanton, David Bowie, Andre Gregory
GENRE: Period Drama
THEME: Religious Film, Classical Antiquity
With The Last Temptation of Christ, Scorsese crafts a deeply personal and thought-provoking exploration of faith, doubt, and humanity. Unlike traditional biblical epics, the film presents Jesus as a man struggling with his divine role, torn between spiritual duty and earthly desires. Scorsese’s direction is bold and intimate, using evocative imagery and an unorthodox approach to reframe a familiar story. Peter Gabriel’s mesmerizing score further elevates the film’s spiritual and emotional depth. Controversial upon release, The Last Temptation of Christ stands as one of Scorsese’s most daring and profound works, a film that challenges and engages in equal measure.
With The Last Temptation of Christ, Scorsese crafts a deeply personal and thought-provoking exploration of faith, doubt, and humanity. Unlike traditional biblical epics, the film presents Jesus as a man struggling with his divine role, torn between spiritual duty and earthly desires. Scorsese’s direction is bold and intimate, using evocative imagery and an unorthodox approach to reframe a familiar story. Peter Gabriel’s mesmerizing score further elevates the film’s spiritual and emotional depth. Controversial upon release, The Last Temptation of Christ stands as one of Scorsese’s most daring and profound works, a film that challenges and engages in equal measure.
Top10nerScore77.596 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Laeta Kalogridis
CINEMATOGRAPHY: Robert Richardson
STARRING: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams
GENRE: Psychological Thriller, Mystery, Psychological Drama
Shutter Island is a masterful psychological thriller that showcases Scorsese’s ability to blend atmospheric tension with complex character study. Set in a remote mental institution, the film follows U.S. Marshal Teddy Daniels as he investigates the disappearance of a patient, only to uncover disturbing secrets. Scorsese’s direction creates an overwhelming sense of dread, heightened by the moody cinematography and haunting score. DiCaprio delivers a standout performance, capturing his character’s descent into confusion and paranoia. Shutter Island is a gripping, cerebral journey that expertly manipulates reality, keeping viewers on the edge of their seats until its stunning conclusion.
Shutter Island is a masterful psychological thriller that showcases Scorsese’s ability to blend atmospheric tension with complex character study. Set in a remote mental institution, the film follows U.S. Marshal Teddy Daniels as he investigates the disappearance of a patient, only to uncover disturbing secrets. Scorsese’s direction creates an overwhelming sense of dread, heightened by the moody cinematography and haunting score. DiCaprio delivers a standout performance, capturing his character’s descent into confusion and paranoia. Shutter Island is a gripping, cerebral journey that expertly manipulates reality, keeping viewers on the edge of their seats until its stunning conclusion.
Top10nerScore79.113 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Martin Scorsese, Mardik Martin
CINEMATOGRAPHY: Kent L. Wakeford
STARRING: Harvey Keitel, Robert De Niro, David Proval, Amy Robinson, Richard Romanus, Cesare Danova
GENRE: Gangster Film, Drama
THEME: Slice of Life
Mean Streets marks the explosive beginning of Scorsese’s cinematic journey, establishing his distinct style and deep understanding of character. Set in the gritty streets of New York City, the film follows Charlie as he navigates the challenges of loyalty, sin, and redemption within his neighborhood. Scorsese’s energetic direction and sharp editing create a raw, almost palpable sense of tension. The performances are compelling, and the film’s portrayal of Italian-American life feels authentic and personal. Mean Streets is a groundbreaking work that laid the foundation for many of Scorsese’s later masterpieces, blending brutal realism with cinematic flair.
Mean Streets marks the explosive beginning of Scorsese’s cinematic journey, establishing his distinct style and deep understanding of character. Set in the gritty streets of New York City, the film follows Charlie as he navigates the challenges of loyalty, sin, and redemption within his neighborhood. Scorsese’s energetic direction and sharp editing create a raw, almost palpable sense of tension. The performances are compelling, and the film’s portrayal of Italian-American life feels authentic and personal. Mean Streets is a groundbreaking work that laid the foundation for many of Scorsese’s later masterpieces, blending brutal realism with cinematic flair.
Top10nerScore79.806 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Eric Roth, Martin Scorsese
CINEMATOGRAPHY: Rodrigo Prieto
STARRING: Leonardo DiCaprio, Lily Gladstone, Robert De Niro, Jesse Plemons, Tantoo Cardinal, Cara Jade Myers, Scott Shepherd
GENRE: Period Drama, Crime, Biopic, Revisionist Western
With Killers of the Flower Moon, Scorsese delivers an epic, haunting exploration of greed, betrayal, and systemic violence. Adapted from David Grann’s true-crime narrative, the film recounts the Osage Nation murders of the 1920s, exposing a brutal chapter of American history with unflinching detail. Scorsese’s direction is patient yet unrelenting, immersing viewers in a world of corruption and complicity. DiCaprio and De Niro deliver gripping performances, but it’s Lily Gladstone who gives the film its emotional core with quiet strength and resilience. A meticulously crafted and deeply unsettling work, Killers of the Flower Moon reaffirms Scorsese’s mastery of historical storytelling and his ability to confront America’s darkest truths.
With Killers of the Flower Moon, Scorsese delivers an epic, haunting exploration of greed, betrayal, and systemic violence. Adapted from David Grann’s true-crime narrative, the film recounts the Osage Nation murders of the 1920s, exposing a brutal chapter of American history with unflinching detail. Scorsese’s direction is patient yet unrelenting, immersing viewers in a world of corruption and complicity. DiCaprio and De Niro deliver gripping performances, but it’s Lily Gladstone who gives the film its emotional core with quiet strength and resilience. A meticulously crafted and deeply unsettling work, Killers of the Flower Moon reaffirms Scorsese’s mastery of historical storytelling and his ability to confront America’s darkest truths.
Top10nerScore80.495 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Steven Zaillian
CINEMATOGRAPHY: Rodrigo Prieto
STARRING: Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, Anna Paquin, Stephen Graham, Bobby Cannavale
GENRE: Biopic, Gangster Film
A reflective and melancholic late-career triumph, The Irishman sees Scorsese bring together De Niro, Pacino, Pesci and Keitel for an epic meditation on loyalty, power, and regret. Spanning decades, the film follows Frank Sheeran as he rises within the ranks of organized crime, only to face the consequences of his choices in his later years. Scorsese’s measured pacing and digital de-aging technology serve the film’s themes of time and mortality. Pacino brings fiery intensity as Jimmy Hoffa, but it’s Pesci’s masterfully understated performance that lingers. Though quieter and more reflective than his earlier crime films, The Irishman is a poignant and deeply affecting elegy to a life lived in service of something ultimately fleeting.
A reflective and melancholic late-career triumph, The Irishman sees Scorsese bring together De Niro, Pacino, Pesci and Keitel for an epic meditation on loyalty, power, and regret. Spanning decades, the film follows Frank Sheeran as he rises within the ranks of organized crime, only to face the consequences of his choices in his later years. Scorsese’s measured pacing and digital de-aging technology serve the film’s themes of time and mortality. Pacino brings fiery intensity as Jimmy Hoffa, but it’s Pesci’s masterfully understated performance that lingers. Though quieter and more reflective than his earlier crime films, The Irishman is a poignant and deeply affecting elegy to a life lived in service of something ultimately fleeting.
Top10nerScore81.349 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Joseph Minion
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Griffin Dunne, Rosanna Arquette, Verna Bloom, Linda Fiorentino, Tommy Chong, Teri Garr, John Heard, Cheech Marin, Catherine O’Hara
GENRE: Black Comedy
A delirious descent into urban chaos, After Hours is one of Scorsese’s most under-seen gems. This darkly comedic odyssey follows Griffin Dunne’s mild-mannered word processor as a simple night out spirals into a surreal nightmare through the streets of late-night SoHo. Scorsese’s kinetic direction, paired with a sharp, offbeat script, turns every encounter into a perfectly timed exercise in escalating absurdity. The film pulses with nervous energy, blending paranoia, humor, and tension with effortless style. Wildly entertaining and endlessly rewatchable, After Hours is a brilliantly crafted, fast-paced ride that proves Scorsese’s versatility beyond crime and drama.
A delirious descent into urban chaos, After Hours is one of Scorsese’s most underrated gems. This darkly comedic odyssey follows Griffin Dunne’s mild-mannered word processor as a simple night out spirals into a surreal nightmare through the streets of late-night SoHo. Scorsese’s kinetic direction, paired with a sharp, offbeat script, turns every encounter into a perfectly timed exercise in escalating absurdity. The film pulses with nervous energy, blending paranoia, humor, and tension with effortless style. Wildly entertaining and endlessly rewatchable, After Hours is a brilliantly crafted, fast-paced ride that proves Scorsese’s versatility beyond crime and drama.
Top10nerScore81.876 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Terence Winter
CINEMATOGRAPHY: Rodrigo Prieto
STARRING: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Kyle Chandler, Rob Reiner, Jon Bernthal, Matthew McConaughey
GENRE: Biopic, Black Comedy, Crime
Exuberant, chaotic, and endlessly entertaining, The Wolf of Wall Street is Scorsese at his most electrifying. This three-hour whirlwind of excess follows the meteoric rise and inevitable fall of Jordan Belfort as he navigates a world of greed, corruption, and debauchery. Scorsese’s razor-sharp direction turns the film into a high-energy spectacle, blending biting satire with unrelenting momentum. Every scene bursts with outrageous humor, kinetic editing, and sheer audacity, while the film’s relentless pacing and sharp screenplay ensure it never loses its grip. With its mix of absurd comedy and razor-edged critique, The Wolf of Wall Street is an exhilarating descent into the madness of unchecked ambition.
Exuberant, chaotic, and endlessly entertaining, The Wolf of Wall Street is Scorsese at his most electrifying. This three-hour whirlwind of excess follows the meteoric rise and inevitable fall of Jordan Belfort as he navigates a world of greed, corruption, and debauchery. Scorsese’s razor-sharp direction turns the film into a high-energy spectacle, blending biting satire with unrelenting momentum. Every scene bursts with outrageous humor, kinetic editing, and sheer audacity, while the film’s relentless pacing and sharp screenplay ensure it never loses its grip. With its mix of absurd comedy and razor-edged critique, The Wolf of Wall Street is an exhilarating descent into the madness of unchecked ambition.
Top10nerScore85.286 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Martin Scorsese, Nicholas Pileggi
CINEMATOGRAPHY: Robert Richardson
STARRING: Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Don Rickles, Frank Vincent, Alan King, Kevin Pollak
GENRE: Gangster Film, Drama, Period Drama
Casino is a masterclass in storytelling, with Scorsese diving into the gritty world of crime with unmatched precision. Set in the high-stakes world of Las Vegas, it follows Sam “Ace” Rothstein, a casino executive ensnared in corruption and betrayal. Scorsese’s direction is immersive, and the film’s pacing, cinematography, and production design create a world both seductive and dangerous. The performances are stellar, particularly Sharon Stone, who earned an Oscar nomination for her portrayal of Ginger. Casino is a cinematic epic, balancing personal drama with the destructive forces of the gambling world, cementing itself as one of Scorsese’s finest works.
Casino is a masterclass in storytelling, with Scorsese diving into the gritty world of crime with unmatched precision. Set in the high-stakes world of Las Vegas, it follows Sam “Ace” Rothstein, a casino executive ensnared in corruption and betrayal. Scorsese’s direction is immersive, and the film’s pacing, cinematography, and production design create a world both seductive and dangerous. The performances are stellar, particularly Sharon Stone, who earned an Oscar nomination for her portrayal of Ginger. Casino is a cinematic epic, balancing personal drama with the destructive forces of the gambling world, cementing itself as one of Scorsese’s finest works.
Top10nerScore85.667 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Paul D. Zimmerman
CINEMATOGRAPHY: Fred Schuler
STARRING: Robert De Niro, Jerry Lewis, Sandra Bernhard, Diahnne Abbott, Shelley Hack
GENRE: Black Comedy, Satire, Drama, Cringe Comedy
The King of Comedy stands as one of Scorsese’s most audacious and compelling works, offering a darkly satirical look at celebrity culture and the desperation behind it. Robert De Niro delivers a career-defining performance as Rupert Pupkin, a delusional aspiring comedian who will stop at nothing to achieve fame. Scorsese’s direction is sharp, using humor and tension to expose the absurdities of the entertainment industry. Jerry Lewis is exceptional as the seasoned talk show host, providing a perfect counterpoint to De Niro’s character. A brilliantly crafted, unsettling film that blends comedy and drama, The King of Comedy remains one of Scorsese’s most overlooked masterpieces.
The King of Comedy stands as one of Scorsese’s most audacious and compelling works, offering a darkly satirical look at celebrity culture and the desperation behind it. Robert De Niro delivers a career-defining performance as Rupert Pupkin, a delusional aspiring comedian who will stop at nothing to achieve fame. Scorsese’s direction is sharp, using humor and tension to expose the absurdities of the entertainment industry. Jerry Lewis is exceptional as the seasoned talk show host, providing a perfect counterpoint to De Niro’s character. A brilliantly crafted, unsettling film that blends comedy and drama, The King of Comedy remains one of Scorsese’s most overlooked masterpieces.
Top10nerScore88.141 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: William Monahan, Alan Mak, Felix Chong
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Alec Baldwin, Vera Farmiga, Ray Winstone, Anthony Anderson
GENRE: Gangster Film, Thriller, Drama
The Departed is a masterclass in tension, character development, and moral complexity, solidifying Scorsese as one of the greatest filmmakers of his generation. With an all-star cast, the film explores the dangerous cat-and-mouse game between undercover cops and mafia informants. Scorsese’s direction is impeccable, ratcheting up the suspense with each twist, while his exploration of identity, loyalty, and betrayal adds depth to the thrilling narrative. The film’s pacing is relentless, leading to a gut-wrenching conclusion that is both shocking and fitting. The Departed is an electrifying crime saga that stands as one of Scorsese’s finest achievements.
The Departed is a masterclass in tension, character development, and moral complexity, solidifying Scorsese as one of the greatest filmmakers of his generation. With an all-star cast, the film explores the dangerous cat-and-mouse game between undercover cops and mafia informants. Scorsese’s direction is impeccable, ratcheting up the suspense with each twist, while his exploration of identity, loyalty, and betrayal adds depth to the thrilling narrative. The film’s pacing is relentless, leading to a gut-wrenching conclusion that is both shocking and fitting. The Departed is an electrifying crime saga that stands as one of Scorsese’s finest achievements.
Top10nerScore90.768 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Paul Schrader, Mardik Martin
CINEMATOGRAPHY: Michael Chapman
STARRING: Robert De Niro, Joe Pesci, Cathy Moriarty, Frank Vincent, Nicholas Colasanto, Theresa Saldana
GENRE: Biopic, Drama
THEME: Sports
Raging Bull is a towering achievement in cinema, a visceral exploration of rage, regret, and redemption. Scorsese’s direction is nothing short of revolutionary, capturing the brutal physicality of boxing and the emotional devastation of Jake LaMotta’s life. De Niro delivers a transformative performance, completely immersing himself in the role of the self-destructive fighter. The extraordinary black-and-white cinematography intensifies each moment, while Scorsese’s meticulous attention to detail and his raw portrayal of LaMotta’s psychological turmoil make Raging Bull not just a sports film, but an unflinching and unapologetic examination of the human condition.
Scorsese’s direction is nothing short of revolutionary, capturing the brutal physicality of boxing and the emotional devastation of Jake LaMotta’s life. De Niro delivers a transformative performance, completely immersing himself in the role of the self-destructive fighter. The extraordinary black-and-white cinematography intensifies each moment, while Scorsese’s meticulous attention to detail and his raw portrayal of LaMotta’s psychological turmoil make Raging Bull not just a sports film, but an unflinching and unapologetic examination of the human condition.
Top10nerScore94.660 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Paul Schrader
CINEMATOGRAPHY: Michael Chapman
STARRING: Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, Albert Brooks
GENRE: Psychological Drama, Crime, Neo-Noir
Taxi Driver is a masterclass in filmmaking, with Scorsese at the peak of his craft. His direction, combined with Schrader’s sharp screenplay, guides us through the fragmented, unsettling psyche of Travis Bickle, a man slowly unraveling in the neon-lit chaos of 1970s New York. Scorsese’s use of gritty realism, atmospheric cinematography, and a haunting score by Bernard Herrmann creates a palpable sense of tension and isolation. De Niro delivers a career-defining performance, and the film’s unforgettable lines and imagery are etched into the annals of cinema history. Taxi Driver is not just a film; it’s a profound, chilling dissection of alienation and moral collapse, a dark reflection of society seen through Scorsese’s unflinching lens.
Taxi Driver is a masterclass in filmmaking, with Scorsese at the peak of his craft. His direction, combined with Schrader’s sharp screenplay, guides us through the fragmented, unsettling psyche of Travis Bickle, a man slowly unraveling in the neon-lit chaos of 1970s New York. Scorsese’s use of gritty realism, atmospheric cinematography, and a haunting score by Bernard Herrmann creates a palpable sense of tension and isolation. De Niro delivers a career-defining performance, and the film’s unforgettable lines and imagery are etched into the annals of cinema history. Taxi Driver is not just a film; it’s a profound, chilling dissection of alienation and moral collapse, a dark reflection of society seen through Scorsese’s unflinching lens.
Top10nerScore96.931 / 100
p>
DIRECTOR: Martin Scorsese
WRITERS: Martin Scorsese, Nicholas Pileggi
CINEMATOGRAPHY: Michael Ballhaus
STARRING: Ray Liotta, Robert De Niro, Joe Pesci, Lorraine Bracco, Paul Sorvino, Frank Vincent, Tony Darrow, Mike Starr, Chuck Low
GENRE: Gangster Film, Biopic, Period Drama
Goodfellas is a tour de force of filmmaking, showcasing Scorsese’s unrivaled mastery of storytelling, pacing, and character development. The film plunges us into the volatile world of organized crime, with Liotta’s Henry Hill as our complex, unreliable guide. Scorsese’s vision is electrifying, capturing the rapid rise and inevitable fall of its characters with an unparalleled energy and rhythm. The script, brimming with razor-sharp dialogue, is brought to life by an exceptional ensemble cast. Every scene crackles with intensity, from the mesmerizing tracking shots to the unforgettable ‘Layla‘ montage. Goodfellas is an enduring masterpiece, a definitive exploration of ambition, loyalty, and betrayal, and stands as not just Scorsese’s crowning achievement, but one of the greatest films ever made.
Goodfellas is a tour de force of filmmaking, showcasing Scorsese’s unrivaled mastery of storytelling, pacing, and character development. The film plunges us into the volatile world of organized crime, with Liotta’s Henry Hill as our complex, unreliable guide. Scorsese’s vision is electrifying, capturing the rapid rise and inevitable fall of its characters with an unparalleled energy and rhythm. The script, brimming with razor-sharp dialogue, is brought to life by an exceptional ensemble cast. Every scene crackles with intensity, from the mesmerizing tracking shots to the unforgettable ‘Layla‘ montage. Goodfellas is an enduring masterpiece, a definitive exploration of ambition, loyalty, and betrayal, and stands as not just Scorsese’s crowning achievement, but one of the greatest films ever made.
| RANK | TITLE | YEAR |
| 1 | GoodFellas ✶ ✦ | 1990 |
| 2 | Taxi Driver ✶ ✦ | 1976 |
| 3 | Raging Bull ✶ ✦ | 1980 |
| 4 | The Departed ✦ | 2006 |
| 5 | The King of Comedy ✦ | 1982 |
| 6 | Casino ✦ | 1995 |
| 7 | The Wolf of Wall Street ✦ | 2013 |
| 8 | After Hours ✦ | 1985 |
| 9 | The Irishman ✦ | 2019 |
| 10 | Killers of the Flower Moon ✦ | 2023 |
| 11 | Mean Streets ✦ | 1973 |
| 12 | Shutter Island ✦ | 2010 |
| 13 | The Last Temptation of Christ ✦ | 1988 |
| 14 | The Age of Innocence | 1993 |
| 15 | Silence | 2016 |
| 16 | Alice Doesn’t Live Here Anymore | 1974 |
| 17 | Hugo | 2011 |
| 18 | The Aviator | 2004 |
| 19 | Gangs of New York | 2002 |
| 20 | Cape Fear | 1991 |
| 21 | The Color of Money | 1986 |
| 22 | Bringing Out the Dead | 1999 |
| 23 | Kundun | 1997 |
| 24 | New York, New York | 1977 |
| 25 | Who’s That Knocking at My Door | 1967 |
| 26 | Boxcar Bertha | 1972 |
✶ = TOP 100
✦ = TOP 1000
We hope you enjoyed the list and discovered some inspiration for your next movie night.
Happy watching! And make sure to check out our other lists.
But, before you go, don’t forget to…
Agree with our list? Disagree? We want to hear from you!
Share your favorite films, suggest additions to the list, or let us know which films you think should be ranked differently.
